SOUND ON SOUND
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Rating: ★ ★ ★ ★ ★ 5/5 Stars. This tape-emulation instrument offers 230 presets pitched at media composers, but may well appeal to anyone working in ambient, lo‑fi, hip‑hop or electronica.
EasyVerb 2 has a very different look from PSP’s original EasyVerb, along with an enhanced feature set.
Based on cutting‑edge psychoacoustic research, Virtuoso v2 aims to deliver for headphone users the most convincing emulation of ‘speakers in a room’ to date.
Audient’s iD48 makes it easier than ever to integrate outboard into a computer‑based recording setup.
Speaker‑cab innovators Barefaced add a dedicated power amp option to their full‑range speaker designs.
If you’re a solo performer who needs to control vocal harmonies and effects on stage, could this little box be all you need?
Max 9 introduces Ableton devices and brings a host of welcome updates and improvements.
The Tube Screamer is one of the most modded pedals there is, and this plug‑in lets you mod the virtual circuit to your heart’s content!
Any reverb plug‑in can be used to create the perception of depth — and your mixes will be more engaging and three‑dimensional as a result.
This clever dual‑channel, dual‑slope optical compressor is different from the rest...
Stefan Boman is the house mix engineer at Atlantis Studios in Stockholm, Sweden. Asked to choose a favourite sound from a session he’s worked on, he nominates ‘No Song Unheard’ by the Hellacopters.
FKA Twigs has worked with many big‑name producers, but it was experimental electronic artist Koreless who guided the making of her new hit album Eusexua.
It seemed as though a different major studio was closing down every week, but has the tide turned in favour of large recording studios?
We take a look at what has to be one of the most configurable analogue consoles out there.
Mackie’s new all‑in‑one battery‑powered PA rig puts the controls right where you need them.
Not sure which type of delay might best suit your song? German plug‑in developers HOFA might be able to help you solve that dilemma.
Softube's plug-in version of the Drawmer 1976 offers three‑band saturation and stereo widening.
The latest device to take up the challenge of ‘tape without tape’ is the Stardust, which Qu‑Bit describe as a ‘cosmic tape looper’.
Winter Plankton's DassBrum module does a lot more than mimic a bass drum.
Synthesist and producer Julien Guillot started his project Stazma the Junglechrist back in 2008, in his words at “the super violent and punk end” of the breakcore scene, before breaking out into more experimental territory.