SOUND ON SOUND
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Grammy-winning Samuel Dixon picks his favourite sound from the records he’s made, focusing on Australian singer‑songwriter Meg Washington’s track ‘Switches’.
High‑end outboard is an essential part of Prash Mistry’s mixing and mastering setup — as heard on Kali Uchis’ hit album Red Moon In Venus.
There’s more to this vintage vibe machine than dirt, wow and flutter!
Lauten Audio’s LA‑120 is not so much a pencil mic as an entire box of crayons!
This classy vocal mic brings studio sound quality to the stage.
Novation’s Launchpad controllers offer hands‑on control over Logic’s Live Loops.
There’s a lot to like about MiMU’s unusually gelatinous take on granular synthesis.
Simon Taylor’s latest book presents an easy‑to‑follow approach to in‑the‑box mastering aimed at the novice or nervous would‑be mastering engineer.
Croatia‑based manufacturer DryBell’s Module 4 design aims to recreate the famous Orange Squeezer compressor.
Wobbler2 adds a drum synthesizer to the Wobbler LFO module that was released in 2018.
We tend instinctively to think of audio‑rate oscillators as sound‑generating circuits and low‑frequency oscillators (...
Disrupter is an experimental, performance‑driven, 303‑style sequencer with innovative randomisation features that you can still control when needed.
Do you really need another filter plug‑in? We didn’t think so either — until we tried this one!
When should you Commit your audio, and when should you Freeze it?
What’s the best technique, or combination of methods, for refreshing the high end when pitching-down samples?
I have a 500‑series setup which includes some mic preamps that I’d like to wire up to a jack patchbay, is it possible to block phantom power?
In allowing you to create feedback loops, Reaper gives you access to a world of creative effects.
Rode’s new desktop mic gives you a broadcast‑ready sound out of the box.
We revisit Reason’s venerable virtual analogue, Subtractor.
Roland’s SH‑4d is an ambitious amalgam of synth and sequencer in a battery‑powered box.