SOUND ON SOUND
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If you plan on splashing the cash on a DI box of the highest quality, this versatile red box should definitely be on your audition list!
How often should you release music — and what should you release when?
These new plug‑ins combine classic SSL sound with Sonible’s AI assistance.
Steinberg’s mobile DAW gets ever closer to the desktop experience.
Bigger isn’t always better in the world of live sound!
We put Studio Pro’s new AI‑powered note extraction to the test.
Emmally Parsons, aka e.m.arson, is a British producer and musician who blends sampling, electro‑acoustic instrumentation and sonic manipulation in extraordinary ways.
Waldorf’s tiny wavetable wonder packs classic DNA into a portable package.
Improvisation is something we’re all capable of, even if we’ve been conditioned over time to reject it, or never had the chance to explore it in the first place.
These three audio files demonstrate the techniques described in the Cubase workshop in the April 2026 issue of SOS.
These audio files accompany the April 2026 Mix Rescue feature in Sound On Sound magazine.
Easy and quick orchestral arrangements are very much the order of the day as Sonuscore’s The Orchestra Complete reaches its fourth incarnation.
The Captor X+ offers deeper control, enhanced stereo functionality and some new tone-shaping tools, all of which have been designed specifically for real valve amplifiers and modern silent stage/studio rigs.
Make Noise Music have recently announced the launch of the latest addition to their New Universal Synthesizer System range, the Gestural Time Extractor, or GTE.
Complete our survey and enter the prize draw for a chance to win one of three $50 Amazon vouchers!
The latest library to join Best Service’s ever-growing range includes four solo wind instruments that capture the spirit of traditional music from Armenia, Persia, Turkey and the Middle East.
Based on the technology behind the company’s Virtual Drummer series, Groovemate Latigo features a phrase-based engine that allows users to trigger authentic-sounding percussion performances while maintaining control over their timing, feel and arrangement.