SOUND ON SOUND
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What can audio equipment manufacturers do to minimise their impact on the environment? We look for answers in the forests of Finland.
When I started my musical career in 1968, playing live was all there was. My first band Uriel lived for the moment when...
DP's ProVerb offers an easy way to experiment with guitar amp impulse responses.
The idea of paying to ‘own’ software has always been problematic. What exactly is it that you possess?
We show you how to get started in the brave new world of Dolby Atmos, using Logic Pro.
When it comes to history, there are typically two ways of looking at a subject. One is to examine it from an emotional...
PlayScore 2 is an iOS and Android app that performs OMR (optical music recognition) via a device’s camera or graphics‑type file import.
We put UVI Falcon to work as a drum replacement tool.
The waveform of an audio file looks bizarre when I load it in Adobe Audition, with a curious displacement of the audio...
I have a Tram TR50 lavalier mic with a very low output level. I was thinking about getting an inline gain booster for it, but someone told me that this kind of device was not appropriate for lav mics...
With our routing sorted, it’s time to record some MIDI!
We generate MIDI from audio, and look at what’s new in Live 11.1.
Mylar Melodies has in recent years ascended to become one of the Internet’s premier educators in all things modular.
The Chainsmokers’ new album shows off some serious production and songwriting skills.
Asked to pick a favourite sound from the band’s influential catalogue, Walter Flakus dives into the track ‘Drugstore’, from 1998 album Darkest Days.
Matt Johnson of Jamiroquai talks us through five of his favourite keyboard processing tips.
It is with increasing sadness that we note the passing of this legendary synthesizer pioneer.
JJ Jeczalik emerged as the pre-eminent Fairlight programmer of the 1980s primarily as one fifth of the art-pop collective, Art of Noise, but also in projects ranging from ABC and Dollar to Yes and Malcolm McLaren.
Warning: alter.audio’s Timetosser can interfere with the fabric of time and is dangerously addictive.
Embody’s Immerse Virtual Studio aims to replicate loudspeaker listening on headphones — and the newest variant does so in up to 7.1.6 surround.