SOUND ON SOUND
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The 1977 combines an ultra-clean microphone preamp with a three-band parametric EQ, a compressor and three types of variable saturation.
By registering their Genelec monitors on the company’s website, users are now able to extend their warranty by an extra three years, with both parts and labour costs covered.
The latest version of Krotos Studio focuses primarily on enhancing the software’s sound effects generation capabilities, and has been released in response to user feedback.
Whether you’re after fader control, hands‑on EQ and dynamics or a hardware meter, SSL’s UF1 has you covered.
The third generation of Ableton’s Push adds audio and MIDI interfacing and the option to go computer‑free with battery‑powered standalone operation.
We put the latest M2‑based Macs through their paces with music benchmarks.
Want lo‑fi style chord progressions? You need look no further than Cubase’s Chorder MIDI plug‑in.
When our job involves a lot of sitting down, it’s up to us to inject some movement into our lives.
Eve’s new compact monitors borrow more than a little tech from their premium designs.
Newcomers GS Music are kicking things off in style with an ambitious polysynth.
If you like your drums heavy, the Hertz Drums Bundle might be just the thing.
Canadian mixer and recording engineer George Seara chooses the vocal on ‘Treat You Better’, by Shawn Mendes, as a favourite sound from his catalogue.
Today’s TikTok‑driven music market demands authenticity, as Atlanta mixer Jacob Morris found when he mixed David Kushner’s ‘Daylight’.
Logic Pro has all the tools you need to make multitracked drums sound their best.
The AIR Music Technology designers have delivered some interesting twists that make this delay plug-in worth a closer look.
Thomas Brett’s book offers a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music...
Pluralis allows for the creation of effects that are not possible with conventional delays.
The very affordable Tensol is a curious little effects plug‑in that combines granular delay processing with a resonator that’s been modelled on a string under tension.
David Kosten’s first commercial Atmos project was an immersive mix of one of the greatest albums of all time. No pressure...