SOUND ON SOUND
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Jeff Albert, Associate Professor at Georgia Tech, and Paul McCabe, Senior Vice President of Research and Innovation at Roland, discuss the 2025 Guthman Musical Instrument Competition.
Oli Freke talks us through the history of samplers, from the introduction of the Mellotron in 1963, through to current day sampling software, while highlighting the golden era of sampling from the late 80s to early 90s.
Pascal Gabriel, aka Stubbleman, joins Kevin Paul for his latest MixBus Interview and gives an insight into his working methods, favourite studio equipment and shares some valuable advice to artists and producers.
David Mellor continues his exploration of microphone polar patterns by discussing techniques for capturing stereo recordings.
Apple’s M‑series Macs continue to power ahead. We benchmark the latest Mac mini, MacBook Pro and Mac Studio models for audio performance.
These compact speakers punch well above their weight — and you can build them yourself!
Need a better arpeggiator? Cubase’s Pattern Editor can deliver the goods!
The fearless sonic experimentation of composers Evgueni and Sacha Galperine is proving equally at home in mainstream and arthouse cinema — not to mention last year’s surprise hit TV series Baby Reindeer.
They might come in guitar pedal format, but the Auto Series effects have much in common with modular synths...
Metalcore presents unique production challenges — and few are better placed to meet them than genre veteran Jordan Fish.
We explore some creative delay treatments using only Logic’s bundled plug‑ins.
The B.Beat Pro 16 is much more than just a dedicated hardware backing track player...
We invited five top mix engineers to share some of the key ‘aha’ moments in their mixing journey, and to offer advice for those who’ve recently embarked on their own.
Those familiar with my reviews might have sussed by now that, when describing multifunctional modules, I do my level best...
Overloud’s amp emulation has been treated to new features and a facelift.
Somehow RME have managed to make their world‑class converter even better!
How does Roland’s V‑Stage fare against the other big red stage keyboards in town?
Boasting a custom Rupert Neve‑designed transformer, one of the best‑sounding DI circuits out there just got more affordable.
Subtle issues with the frequency balance can stop mixes from translating well to different listening systems. We offer a couple of suggestions that can help.
Speed up your S1 session navigation with these pro‑user tips.