SOUND ON SOUND
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I'm about to do some mixing and I'd just like to find out if there are any right or wrong ways to pan my audio. I'm sure I'...
In an extended Apple Notes column we take an exclusive look at the 30-inch Cinema display from a musician and audio engineer's perspective, and evaluate the performance of the new dual-2.5GHz Power Mac G5 with our usual series of performance tests.
A pint-sized preamp with anything but a pint-sized sound, plus the bonus of presets!
If you are keen to move to an all-software setup, but still depend on sounds from your hardware synths, Redmatica's utility might smooth the path...
Completing Behringer's B-Control family, the BCA2000 combines audio and MIDI interfacing with routing/mixing features, and preamps — and all for under £200.
This new front end offers a clean, warm sound and is surprisingly easy to use.
As the '80s drew to a close, The Stone Roses made rock music cool again, melding '60s psychedelia and acid house under the production guidance of John Leckie.
Responses to recent articles from SOS readers.
Returning to Steinberg Cubase's Mixer window again, we explore ways to make it more manageable when working with Projects that contain a large number of channels.
A premium compression sound lurks behind the no-frills cosmetics of this new Broadhurst Gardens processor.
Is it an amp modeller? Is it a multitracker? Is it an audio/MIDI interface? We stomp the facts out of Digitech's new box...
Featuring the performances of some of the world's best drummers, Drumcore is a software-based cross between a drum library and a custom loop-auditioning interface, allowing you to assemble rhythm tracks fast.
Sample and loop libraries have come a long way from being delivered on a humble audio CD — the most recent trend is to include a specific playback front-end for easy integration with your sequencer.
Unlike most eight-channel interfaces, the Presonus Firepod includes eight mic preamps — at a very appealing price.
When it comes to drum sounds, BFD and its XFL expansion pack offer unprecedented levels of detail and flexibility, totalling over 30GB of sample data. Is it overkill, or the rhythm programmer's ultimate weapon?
If Apple and Norton can offer automatic updates, then why can't music software companies?
The much-anticipated Hercules 1612FW Firewire interface supplies an impressive quotient of analogue I/O at a very attractive price.
The Joemeek product range has recently been completely overhauled, and one of the updated units is this new half-rack recording channel. Have the designers retained what made the original products successful?