SOUND ON SOUND
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There is now a bewildering array of audio options inside most PC audio recording packages, and if you understand the reasoning behind them you can get a bit (or even a few bits) more quality out of your hard drive audio. Martin Walker explains.
Paul White looks at how you can calculate how much studio acoustic treatment you really need.
If you're after sonic strangeness, ring modulation is a good place to start. Paul White finds out whether the ColOSCIL sounds as big as its name.
Not even the best monitor speakers guarantee good monitoring &mdash so how do you ensure that you're mixing on the best possible system? Mixmeister Martin Walker leaks some top speaker tweaks...
In the penultimate part of his series on synthesizer technology, Paul Wiffen turns his attention to the problem of emulating acoustic instruments in which the sound is produced by a string or reed, and amplified and modified by the body of the instrument.
If the best things in life are free, then perhaps Pro Tools 3.4 is one of them — Digidesign are now giving away this version of their Mac audio recording and editing software. Mike Collins looks a gift horse in the mouth.
Paul White switches on to a box which provides a dash of extra source for the smaller mixing desk.
As Lexicon introduce new processors to replace the acclaimed PCM80 and PCM90, Paul White takes a look at how these classic units have been further improved to create the PCM81 and 91.
Gordon Reid is bitten by the memory of a brilliant, but deeply flawed trio of Italian synthesizer designs that could have been the last word in affordable analogue.
We test ART's two compact tube processors to see if they sound bigger than they look.
The streamlined '90s exterior of Emu's Audity 2000 claims to hide a virtual modular hybrid, harking back to the company's own lost '70s analogue megasynth.
If you've £250 to spare and a reverb-shaped hole in your studio, Lexicon would like you to fill it with their latest budget processor, which offers 20-bit converters, a digital output as standard, and the famous Lexicon Ambience effect.
Long awaited and much anticipated, Novation's digitally-modelled analogue synth module is the company's most ambitionus offering yet.
Paul White studio-tests Sennheiser's new range of affordable vocal microphones to see if they really can give the established models a run for their money.
Paul White meets the junior member of Alesis' family of Type II 20-bit ADAT recorders.
Line 6 announce a software upgrade for their physical modelling guitar amplifier. Paul White plugs in, turns on and checks out the reborn AX2.
The new SP808 has little in common with its namesake, the TR808; one was an analogue rhythm unit, the other is a feature-packed sampler, multitrack digital audio recorder, synth and remix tool. Clearly, Roland are hoping that some of the 'hi-tech classic' status of the TR will pass to the new SP.