SOUND ON SOUND
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The stagebox-cum-mixer format has proven popular over the last couple of years, and now Cornwall’s finest have joined the party!
GarageBand For iOS continues to impress as it becomes more sophisticated; and while you likely won’t finish a full production with this app, it’s becoming an increasingly good sketchpad — especially with the increased Logic interoperability.
For those wanting realistic acoustic drum parts, we don’t yet have a candidate for ‘EZ Drummer in an app’. Which is something that Blue Mangoo, the developers behind the excellent iFretless apps, are trying to achieve with Drum Session.
This affordable studio- and stage-friendly amp boasts extra-wide stereo effects, a looper, and direct-to-DAW USB recording.
Not many dance acts start life as string quartets — but Clean Bandit’s fusion of classical and electronic music has powered them to worldwide success.
The latest update to Cubase sees Steinberg’s DAW embrace single-window working and integrated sampling.
DrumCore users have been waiting a very long time for a new version, but version 4 is finally here — and available for both Mac and PC.
Overdrive pedals create distortion in different ways. EarthQuaker Devices, though, have really hedged their bets with their Gray Channel, as each of its two overdrive channels offers a choice of three clipping types.
EHX have put the Crying Tone wah circuitry into a much more conventional pot-driven pedal format...
With a whopping 32 analogue inputs and outputs, there’s more to this stand-alone converter than meets the eye.
As competition hots up in the world of notation software, does the latest version of MakeMusic’s long-established Finale have what it takes to stay in the race?
HEDD may be a new venture, but the man behind it is no neophyte — as the company’s debut design proves!
This stylish module brings the ‘blue stripe’ revision of the UREI 1176 to the 500 series.
IK’s modelled bass instrument offers both realism and a fantastic degree of real-time control.
Recorded, mixed and co-produced by Greg Fidelman, Metallica’s Hardwired... To Self-Destruct has proved an unexpected career high point.
Our Editor-in-Chief is worried that we are becoming ever more dependent on a computer industry that sees audio as a very small part of its business...
UK guitar-amp company Laney take battery-powered PA to new heights with this surprisingly potent system.
Designed to get the best from passive ribbon and moving-coil mics, this preamp offers 80dB of gain and switchable input impedance.
Live is more than capable when it comes to bass. We give you an overview...
I can’t deny being a long-time fan of the Waldorf sound and of wavetable synthesis in general, so I was pretty keen to try out the NW1...