SOUND ON SOUND
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There seem to be instances where several mics are used to record an instrument, such as a guitar amp or drum kit, but I've...
I was lucky enough to pick up an old Reslo ribbon mic, like the ones you see in old Cavern Club pictures. I wanted to know...
I use Cubase SX v1 and I want to set up a reverb that the vocalist can hear during recording, but that doesn't get recorded...
Sometimes you think your mix sounds great one day, but then you listen to it a few days later and it sounds just awful. And...
Hugh: It's strange. A few years ago I used tape machines almost every day, but now it is something of a...
In 2001, Propellerheads Reason broke new ground by virtualising every element of the classic analogue synth studio. Six years on, is the original still the best?
The range of specialist restoration tools available for Pro Tools continues to grow. We find out if the latest are really the greatest...
With Sonar 7 just out, it's time to tweak all our preferences to perfection, before they're transferred over into the latest version of the software.
We help install the equipment won by one of the lucky winners of the SOS and Digital Village prize draw held at Sounds Expo 2007.
Softubes guitar amp modelling software is light on fancy features but is claimed to offer unparalleled authenticity.
Roll out the red carpet, dim the lights and raise the curtains - it's showtime for this big jazzy production from Fable Sounds...
Our august Editor In Chief, Paul White, wonders why synth presets sound good when auditioned on their own but don't cut the mustard in a song arrangement...
Once the sole province of the professional, ribbon mics are now more plentiful and affordable than ever before, and this two-part feature aims to root out some of the best.
The biggest Blues in the Blue Sky Range aim to be the best — and they don't disappoint.
Beneath this innocent exterior lies a growling analogue beast that can help you create some truly unique sounds...
This powerful MIDI control surface boasts a lot more flexibility than the budget offerings on the market, yet it's still affordable.
Fishman's acclaimed process for improving the sound of acoustic guitar pickups is now available in pedal format — and with 24-bit converters and 32-bit internal processing, this is a distinctly superior-sounding Aura.
Phonic's diminutive Firewire audio interface is extremely affordable and it can record at 24-bit/96kHz. Is it too good to be true?