SOUND ON SOUND
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The latest Sonar update optimises the software for multi-processor PCs, as well as adding new operational features. Read on to find out what they'll mean to you, and explore another crop of tips and techniques.
Samson's compact 'S'-series boxes solve a variety of studio problems without getting in the way. We check them out...
An expert in acoustic treatment argues that a proper recording studio is much more than a collection of great gear.
Ergonomic Computer Mouse from Designer Appliances QuillBook Review: Emagic Logic Tips & Tricks by Len Sasso.
Not only does this little preamp give pure class-leading performance, but it also offers clever dynamics processing on board and an optional built-in A-D converter.
Chris Brockis had been having trouble mixing in his attic home studio, so he enlisted the help of the trusty SOS team.
The Phase 88 is the successor to Terratec's popular eight-in/eight-out EWS 88MT PCI soundcard with breakout box.
Algorithms that remove artifacts such as clicks, scratches and broadband noise from digital audio require as much processing power as possible. TC's new suite of restoration tools harnesses both the host computer's CPU and the DSP of their Powercore system.
There are lots of XG-format synthesizers in home studios, but their General MIDI heritage discourages many owners from using them. However, there's life in your XG module yet if you're willing to explore its hidden depths.
When synthesizing sounds, the effects you place after your synth's output are often as important as the synth itself (just think of last month's Leslie). As we near the end of Synth Secrets, we consider how a digital effects processor works.
The plug-in and inter-application software world grows ever richer for DP users, and a set of new features for the program is announced at the NAMM show mdash; including, at last, a 'beat-slicing' function.
I want to add a subwoofer to my monitoring system, but how do I work out where to place it in the room?
I'm considering buying a second-hand Roland D-series workstation to get those classic D50-type sounds. I recently borrowed an old D-series synth from a friend and was using it in multitimbral mode, hooked up to my computer sequencer, but I experienced some problems with the sounds, so I'd like to get your advice before I shell out any cash.
I've been encountering some problems with standing waves in the room were I do my mixing. The bass response is very uneven and I'm considering investing in some acoustic treatment, but I don't really know were to start. What are my options?
I'm considering the purchase of two sets of headphones: the AKG K240DF (flat response) for mixing, and the K271 (coloured response) for musicians to wear when monitoring their own signal, giving them the best sound for inspiration and encouragement. Would these models be suitable for these applications?
M Audio's new eight-channel microphone preamp, the Octane, features a built-in M&S (Middle and Sides) decoder and eight-channel ADAT digital output.
From April 29th to May 2nd, 2004, the ZKM (Centre for Arts and Media Technology) in Karlsruhe, Germany will host the second International Linux Audio Conference.
FX Cimple Solutions have launched www.cimplespares.com, a web site dedicated to spare parts and equipment upgrades.
The new Firepod from Presonus is a 24-bit/96kHz Firewire recording interface, with eight phantom-powered mic preamps, MIDI and S/PDIF I/O.