SOUND ON SOUND
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Electro-Harmonix’s Canyon is a delay/looper, but it goes the extra mile, packing a wide repertoire of delay effects into its compact pedal format.
The latest product to bear the Electrodyne name combines classic ‘70s console summing with modern connectivity for use with DAWs.
Focal’s latest speaker design isn’t just pretty — it’s the culmination of years of R&D...
The Beatles’ iconic Sgt. Pepper’s album was mixed twice on its original release. So why mix it again, 50 years on?
Are Korg’s Bluetooth Nanos the ultimate mobile MIDI controllers?
We are very used to computers running fixed programs such as DAWs and plug-ins to accomplish specific recording and processing...
We look at how to tame unruly instruments in Ableton Live.
Allegedly inspired by John Cage’s interpretation of the Chinese divination text, I Ching, random voltages are generated by Chance for each digitally-generated coin toss...
There are plenty of reasons to feed MIDI data into your Eurorack; Mono-MIDI offers traditional CV and Gate outs plus arpeggiator...
Another seriously compact offering from Belgium, Logica Gater, is a combined logic and gate module.
Mojave’s latest mic combines the vintage tone of Telefunken’s classic ELA-M 251 with modern, low-noise performance.
When people are paying peanuts, they’ll treat you like a monkey.
How can you ensure that your library music hits the spot? What better way to find out than to ask the people who buy it!
“And now abideth faith, hope, charity, these three; but the greatest of these is charity.” — Corinthians 13:13
Could a mash-up of Novation’s Circuit and Bass Station II with a pinch of modular connectivity be the perfect recipe for the modern monosynth?
Boasting an array of unusual and impressive features, this British high-quality channel strip really stands out from the crowd.
Can Polyend’s MIDI-powered mechanical drummer replace the real thing?
We serve up a tempting menu of little-known Pro Tools tips, including some new features in 12.6.
I’d like to get a mic for sound-design work. Specifically, I wish to record quiet sounds, amplify them and mangle them...
Why is it that reverb is so much more audible on good headphones than good speakers? Is it to do with the ambient noise or reflections in the room?