SOUND ON SOUND
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Overloud’s TH3 guitar amp simulator delivers the world’s largest collection of models in a single software —...
Renowned microphone makers Blue have today announced Raspberry Studio, an all-in-one mobile...
Bringing the 099 to market took 15 years of ingenuity and application — and the result offers far more than a typical Fairchild clone.
When it comes to virtual effects and instruments, Sugar Bytes don’t really do ‘normal’. Even Unique, on the surface a pretty conventional-looking software synth, manages to pack in a twist or two...
ROTOR is the latest release by Barcelona-based Reactable Systems, and brings another slice of their attention-grabbing virtual modular synth to a wider audience.
Star producer Ariel Rechtshaid inhabits many different musical worlds at once. No wonder he’s busy...
Arturia’s first foray into the world of audio interfaces squeezes a huge amount of connectivity into a compact desktop box.
The Footprint 01 is Barefoot’s most affordable monitor yet. Does it give away much in terms of performance?
How do you go about translating one of the most iconic studio albums of all time to the stage? We speak to FOH engineer/production manager Clint Boire about the 50th-anniversary tour of the Beach Boys’ Pet Sounds.
Live loop triggering may not be Cubase’s raison d’être, but it can be done...
What matters in today’s music business is not how loud your mixes are, but how dynamic. This clever new plug-in helps you get them into the zone.
In designing the Blurst, Electro-Harmonix have essentially built a synth-style resonant, fourth-order, low-pass filter and put it into a guitar/bass pedal.
Electro-Harmonix’s Canyon is a delay/looper, but it goes the extra mile, packing a wide repertoire of delay effects into its compact pedal format.
The latest product to bear the Electrodyne name combines classic ‘70s console summing with modern connectivity for use with DAWs.
Focal’s latest speaker design isn’t just pretty — it’s the culmination of years of R&D...
The Beatles’ iconic Sgt. Pepper’s album was mixed twice on its original release. So why mix it again, 50 years on?
Are Korg’s Bluetooth Nanos the ultimate mobile MIDI controllers?
We are very used to computers running fixed programs such as DAWs and plug-ins to accomplish specific recording and processing...
We look at how to tame unruly instruments in Ableton Live.