SOUND ON SOUND
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After a break of almost 10 years, Eurhythmics are back with a new album — and a new hit single, 'I saved The World Today'. Mike Senior talks to gifted programmer and producer Andy Wright about his role in the project.
Hip-hop's biggest stars have always been American, and their success has tended to overshadow artists from other countries. London-based Russian DJ Vadim, however, is winning increasing recognition for his distinctive, cosmopolitan music. Sam Inglis finds out how he puts together his tracks.
Mark Isham resides at the top of Hollywood's film-music hierarchy, equally comfortable composing for orchestra as for a rack of samplers in his home studio. He marks time as an innovative genre-hopping artist and sought-after trumpeter too. Jonathan Miller finds out how he fits it all in...
The band Quinn, comprising multi‑instrumentalist and studio wizard Alistair Cook and singer/songwriter Louise Quinn, have recently joined the growing number of SOS readers setting up small studios and independent record labels.
Dedicated Atari users were able to check out the latest from the core Atari hardware and software developers at the recent All Micro Show. Derek Johnson was there for SOS.
With demand increase for original analogue synths, and the second-hand market drying up, more and more people are contemplating building their own. As Ken McBeth explains, all the necessary resources are available on-line...
Dave Shapton keeps track of the latest developments in the coding of computer audio — and the hardware used to amplify it.
Martin Walker considers what to look for when buying a new PC or upgrading an existing one, if you want it to remain up-to-date for as long as possible.
Paul White introduces the concept of VCA and moving-fader mixer automation in the first part of a short series on automated mixers and their applications.
Hums and buzzes in your signal path are not the only cause of noise problems in the studio. The mechanical noise emitted by some equipment can be equally disruptive — but, as Martin Walker explains, you don't have to suffer in (lack of) silence.
In the first part of a new series, Paul White looks at the practicalities of stereo editing. So, if you plan on compiling your stereo mixes into an album master, you'd better read on.
Martin Walker advises manual dexterity, speeds up his internet experience, and finds yet more tweaks for Windows.
I am trying to set up my Yamaha CS1x to operate my Akai S2000 sampler, but I cannot operate the S2000's filter using the...
What do you suggest would be the best set of mics for recording a wind band? The mics available are two unidirectional...
I don't own a computer — I just use the public library's — but I want to 'upgrade' from my cassette 4‑...
We recently upgraded our studio computer to a Pentium II 400MHz machine with 100MHz buss, 64Mb of RAM and a Yamaha 6416 CD...
I recently experienced the pleasure of moving into a flat with enough rooms that I could dedicate a whole room (albeit a...
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