SOUND ON SOUND
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Members of the UK's MPG (Music Producers Guild) offer their constructive comments about another selection of SOS readers' recordings...
The Police's final studio album was both a technical and artistic tour de force, and yielded one of their most memorable hit singles. Yet the three members were unable to play in the same room without a fight breaking out, so the recording sessions proved tough going for engineer and co-producer Hugh Padgham...
However much you rely on a computer to provide sounds and help create arrangements, if you want to include vocals, you still need to know how to mike and record them properly in what may be a less than ideal room. We offer some tried and tested solutions...
While Cubase's graphical environment makes the application easy to use, it's not always clear exactly where signals are being routed. This month, we open the virtual bonnet and take a look at signal routing in the VST 2.3 audio engine used in both Cubase SX and Nuendo 2
When is a digital mic really a digital mic? Cutting Edge looks at the hybrid digital/analogue technology we already have and suggests a radical new approach.
Another batch of lucky SOS readers' demos wait nervously for the Doctor's prognosis. What is the verdict? Listen while you read on...
Harbal enables you to shape the EQ of your mastered mixes to match any reference track, and by compensating for the loudness changes involved in doing so, it provides a truly neutral means of comparing the original and the treated master.
Groundbreaking Southern rap duo Outkast head into 2004 with a fistful of Grammy nominations and a chart-topping double LP to their name. Their principal engineer and studio manager John Frye pulls back the curtain on one of the year's best records.
Rackmount studio samplers may be pretty much a relic of the past, at least in terms of manufacturers producing new examples, but it's not quite all software and computer RAM yet — not if instruments such as this new one from Korg are anything to go by.
MIDI controller keyboards were a minority interest a few years ago, but as more studio duties have been taken on by computers, the popularity of controllers has soared. Korg's Microkontrol adds some new tricks to the well-established concept...
Surround sceptic Paul White finally sees the point of 5.1...
It's been nearly four years since Lexicon last produced an audio interface. Does their new USB-based Omega system have what it takes to challenge the likes of Digidesign, Edirol and M-Audio?
Learn how to choose and use on-stage speaker or headphone monitoring systems. After all, if you can't hear what you're doing, then your live performances are going to suffer.
We show you how best to set up Logic for working to picture.
M-Audio have broken a price barrier with their Firewire 410, which is easily the most affordable Firewire recording interface on the market.
This affordable large-diaphragm cardioid mic benefits from an open sound with a hint of transformer warmth.
Do you use a software studio with plug-in effects but crave the effects quality that your favourite hardware processor used to provide? Well, you can have the best of both worlds... as this article explains.
We return to the great Page File controversy of 2003... as well as keeping you stocked with the usual cocktail of PC news and tips.
MOTU finally have their own soft sampler, Mach Five, which is ideal for use with DP, but doesn't always work exactly as you might expect. Read on for the primer...