SOUND ON SOUND
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Cranborne say their Brick Lane is the fastest compressor in the West — but it’s also capable of modelling the characteristics of classic opto, FET and valve units, and much more.
Ducking your reverbs and delays can bring greater clarity to your vocals.
Expressive E’s trademark physical modelling paired with MPE control delivers an extremely playable instrument.
Not only does this compact pedal offer convolution reverb — it can also capture impulses from your hardware 'verbs or room mics.
American‑born producer, engineer and mixer Dave Sardy has worked with household names including Bush, Johnny Cash, Oasis and The Who. A favourite sound from his impressive discography is the guitar drone on ‘(Get Off Your) High Horse Lady’ from Oasis’ 2008 album Dig Out Your Soul.
Five years in the making, Netflix’s smash hit animated movie tested its music production team to the limit.
Recording a band live in the room is always a challenge — especially when it’s led by a jazz legend who switches instruments without warning!
Digital modelling has become so powerful that you might think there wasn’t much mileage left in the idea of analogue emulation. If you can accurately mimic some piece of vintage gear in a few lines of code, why bother developing and building complex analogue circuits to do the same thing?
Stem Splitter is an amazing feat of technology, but is it actually useful? The answer is a resounding "Yes!"
Built entirely from percussion sounds, but not for percussion, Dream Kit: Zenith is a synth like no other.
IK Multimedia’s Prism Reverb is a creative reverb that IK claim goes “beyond shimmer” to deliver “a new dimension of sound”. A bold claim, so let’s see how it stacks up...
Strymon’s Cloudburst pedal won a lot of friends amongst those fans of ambient, shoegaze and cinematic‑style composing. Now it’s available as a plug‑in, which should make life a lot easier for many of them!
The LANG 312L, made by Heritage Audio, is a transfomer‑balanced mic preamp whose design is broadly rooted in old API one, but which, like all the best ‘homages’, brings something extra to the party.
This is Not Rocket Science (TiNRS) thought it might be nice to create a space, within space, where cosmic entities exist as the elements of a deep galactic reverb.
From Omnitone of Canada, we have a pair of colourful rhythm‑makers that can operate separately, or as a percussive pair.
Edd Butterworth and Jean‑Marcel Fricke are the joint helmsmen of the recently opened SchneidersKeller (an offshoot of Berlin’s venerable SchneidersLaden) situated on London's famous Denmark Street.
NI’s Circular offers a dizzying range of creative possibilities.
With ARA2 compatibility, this clever software slots right into your DAW workflow and promises to take much of the pain and time out of getting your vocals mix-ready.