SOUND ON SOUND
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EMES have developed the first studio monitor to use a patented new single-point stereo speaker technology. Hugh Robjohns tests the Owl System and compares it with the conventional Violett HR on which it is based.
Can the Texas-built Ross RCS1602 compete with the wealth of low-cost UK-built desks? Shirley Gray searches for the answer.
Imagine mixing the world’s biggest bands in front of an audience of millions — with no soundcheck. It’s all in a day’s work for BBC in-house engineers.
Given its more than respectable range of facilities and 24-bit/96kHz operation, the low price of this feedback processor seems far too good to be true. We find out whether it is...
A modern take on the vintage Neve preamp sound.
The radio microphone marketplace is becoming a busy place these days, but it's always interesting to look at a new system that aims to provide good-quality performance while being very straightforward to set up and operate.
Mixing on headphones is undoubtedly convenient, but you can never be sure if your mixes will translate well to speakers. This high-quality headphone amp and processor aims to address that problem.
Many mic preamps are marketed on the strength of the sound they claim to impart to your recordings, but the Event EMP1 is designed to sit as unobtrusively in your signal path as possible, amplifying quietly to itself. Hugh Robjohns investigates...
It's not just about retro styling: the Sigma offers plenty of 'vintage' warmth too...
If you want a modern take on the classic NS10, this Yamaha monitor might be just what you're looking for.
With two market-leading Firewire audio interfaces already part of the MOTU stable, where does the new mobile recording-oriented Traveler find its natural home?
Yamahas new flagship stage piano is unashamedly specialist and expensive. How does it rank alongside the best sampled and modelled alternatives, or indeed the original instruments it strives to emulate?
In two minds about which multi-effects box to choose? Craig Anderton provides some helpful pointers on what features to look for during your next shopping spree.
Paul White tries a simple but useful digital switching system that can be used with s/PDIF or ADAT-format signals.
Can a preamp and D‑A converter successfully straddle the pro-audio and hi‑fi markets? Drawmer believe it can...
Hugh Robjohns tests an innovative full-range speaker system, which somehow manages to get 12 separate drivers working in harmony.
There's no law to say that microphone diaphragms must be circular, and in fact a rectangular diaphragm, such as the one inside this Swedish mic, can offer some unique and useful characteristics.
Much more than just an audio and MIDI interface, Edirol's UA700 also incorporates a preamp with DSP effects, microphone and guitar amp modelling.
Alesis update their cost-effective nearfields.
Do you prefer doing stereo recordings with two separate mics or with one dual-capsule mic? With their NT4 and NT5 models, Rode cater for both techniques.