SOUND ON SOUND
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Have Black Corporation managed to capture the spirit of the Jupiter‑8 in a 19‑inch rack?
Bring studio sound to the stage with these live‑oriented capacitor microphones.
With the launch of the Apollo Twin X USB, all of the features of UA's popular compact desktop audio interface are now available to Windows users via USB 3.
Antelope Audio's first studio monitors promise to deliver an impressive performance with a neutral frequency response and a wealth of DSP control.
The green front panel of Antelope’s first monitor speaker conceals an unusual design approach.
Neumann have joined forces with Merging to create an interface that’s both excellent and accessible.
Many manufacturers now offer dedicated products tailored for the distinctive workflows involved in podcasting and live streaming.
Thermoguide's latest project aims to bring improved low-frequency monitoring solutions to engineers working with compact monitors in small rooms.
Lake People build on their expertise in converters and headphone amplifiers, announcing the MC100 monitor controller.
Mesanovic’s three‑way speaker offers outstanding performance, wireless connectivity — and a cardioid bass response.
The Venue MK III Series retains the versatile dual-channel design that made the range popular, but introduces built-in cabinet simulation and some technical improvments.
Behringer's new Xenyx 1003B mixer promises to provide a high-quality solution for live work, recording, streaming and podcasting, and even offers the option of running on batteries.
Three years ago, HEDD Audio developed the world’s first AMT‑based headphones — and before anyone else has had time to catch up, they’ve now replaced them with the second generation.
The latest addition to RME's Digiface line-up features 14 inputs and 16 outputs, offers full standalone operation, and provides flexible playback and monitoring facilities courtesy of TotalMix FX.
Does sending phantom power to a dynamic microphone cause any problems or affect the signal?
Intended for both speech and music, Audix’s latest microphone demands to be seen as well as heard!
The DNS 4 from CEDAR Audio is a portable four-channel dialogue noise suppressor offering near-zero latecy performance and both analogue and digital connectivity.
Arturia have designed the AudioFuse 16Rig specifically to cater for electronic musicians. What does it offer that other interfaces don’t?
Originally developed for a German broadcaster, the Digiface AES is now available to everyone.
I want to run a stereo pair of mics down a single cable to minimise the visual clutter on a tall mic stand, is star-quad cable a viable solution?