
Audio Technica AT2020
Audio Technica's new entry-level mic puts in a star performance.
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Audio Technica's new entry-level mic puts in a star performance.

Can analogue summing really make a difference to the sound of digital mixes? We test out a new unit which offers this controversial facility.

Recording the One Way Ticket To Hell... And Back album, Roy Thomas Baker and the Darkness used 400 reels of tape, up to 1,000 tracks per song and a year in the studio — not to mention custom-made panpipes. Find out more...

Craig Bauer has been part of Kanye West's career from the beginning, and as a mix engineer on the smash hit Late Registration album, he had to marry West's artistic perfectionism with his own technical standards.

The art of the record producer blossomed in the 1960s, with the likes of Phil Spector crafting miniature symphonies in the studio. As that decade drew to a close, Bones Howe masterminded one of its biggest and most innovative hits. Find out how...

Combining several types of sound generation in one instrument, Clavia's Nord Stage harks back to the multi-keyboards of the 1970s. Is it a funky revivalist, or should it be considered a thing of the past?

The world is awash with plug-in audio effects, but don't miss out on those included within Cubase SX — there are some excellent creative possibilities on offer.

We feature the Vox AC30 Custom Classic amp and Fliptone v.25 Instrument amp with Flat-panel Speaker — plus Big Bends Nut Sauce, tips on miking up your Line 6 POD, and more...

Korg are continuing to develop virtual instruments based on their hardware synths. This time, it is 1988's classic M1 workstation that has been rendered in software...

Paul explores some of the thinking behind the introduction of our 'Mix Rescue' series.

More tips on mastering your tracks this month, specifically for those musicians who find themselves limited to using Logic's own bundled plug-ins.

In part two of our recording and remixing article, we examine how you can use Live's unique features to prepare a recording for remixing.

We bring our series on rediscovering the the art of sampling to a close, with a look into the future.

The perfect project studio doesn't exist, as everyone has different working methods — and so it is with equipment for creating music for picture. However, there are some fundamental bits of gear you will need. We provide some guidance...

This month David Lowdon's synth-pop song gets the SOS makeover treatment.

With version 2 of Guitar Rig, Native Instruments are taking amp modelling into the realms of modular synthesis.

Novation have an elegant solution to the tedium of configuring hardware controllers — the Remote 25SL can read your sequencer and automatically map plug-in instrument parameters to its controls. Is this the first 'intelligent' hardware control surface? We find out...

We revisit the subject of IRQ sharing, to see if the problems it used to cause for musicians have been solved — as well as discussing a partitioning controversy...

Many of today's most interesting and popular audio-processing techniques are achieved with plug-ins. This month, we look at how you'd go about recreating some of them in Digital Performer, and continue our coverage of more unusual plug-in features.

If you need more audio interfacing, do you really have to trash an interface that's otherwise perfectly satisfactory and buy a bigger one? Maybe not, as ways of using several smaller interfaces together are becoming easier to find.