SOUND ON SOUND
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Our engineer transforms a bedroom-recorded rock song into release-ready territory.
Sometimes it’s better to revisit musical decisions than to persevere with a troublesome mix — even if that means recording new parts.
The Southern Wild: our engineer reminds us that you don’t have to cram every mic signal into your mix just because it’s available.
War Kites: We help a talented indie band achieve a more polished sound from their home recordings.
Classic rock: even well-recorded drums can require plenty of work to make them fit the track.
The Travis Waltons: How do you develop a mix strategy for a song when you don’t understand what the artist intends?
Fred’s House: Our engineer overcomes lashings of speaker bleed as he massages a vocal–heavy mix into shape.
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Malenky Slovos from Italy: There are times when achieving a satisfying mix requires a lot of creative input — not to mention some extreme effects!
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Spektakulatius: With last month’s mixes in the bag, our engineer was tasked with finding and working with a mastering engineer to put the finishing touches to both albums.
Our engineer picks up where last month’s Session Notes recording feature left off, with details of how he approached the mixing side of things on this ambitious project...
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We go back to basics and turn up the heat on an indie-rock production.
When a mix project takes you out of your comfort zone, it’s vital to know that you can trust what you’re hearing.
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Nerve 9: we show you how to add depth and body to a basic mix.
The Woodleys: our engineer treats a modern band to a vintage sound.
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