
Studio SOS: Jamie
In this episode, the SOS crew sort out monitoring problems and offer some practical mastering tips to another reader.
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In this episode, the SOS crew sort out monitoring problems and offer some practical mastering tips to another reader.
With over 50 Studio SOS visits under our belt, we thought it was time to discuss some of the most common studio problems we've tackled.
I currently have an Emu 1820M audio interface and a Line 6 Pod XT Pro modelling guitar preamp, and am about to get a PreSonus...
There's more to Roland's latest digital piano than meets the eye. We put it to the test.
Marcus Ryle of Line 6 talks to SOS about a radical new approach to live sound.
RME's Fireface 800 brings together all of the company's expertise in developing audio hardware for computers, mic preamps and converters into one highly desirable unit. But can you really fit so much functionality into one interface without cutting corners?
If you’re in the market for a portable recorder, there are plenty to choose from, with a variety of different features and at a wide range of prices...
Recent years have seen a revival in back-to-basics recording techniques, but few engineers or producers have taken things as far as Jim Sutherland did with Edinburgh folk-pop band Aberfeldy...
I am about to do a recording at a farm in the North York Moors. It will be done 'live', using two acoustic guitars and two...
Cardigans producer Tore Johansson was thrown into unfamiliar musical territory when asked to produce the debut album by Scottish guitar band Franz Ferdinand, but the result was a commercial and artistic triumph.
Pitch correction of vocal parts is now commonplace in all but a few genres. Find out how to craft a professional-sounding result.
The SOS team answer a reader's cry for help, and assist him to improve his recordings of guitar and vocals.
We get hands-on with Korgs touchy-feely new synth.
Ah, the 80s... Fluorescent socks, marble-wash jeans, and naff-sounding synth pads! You might not want to resurrect the first two, but subtle use of pads can improve even the most contemporary-sounding mix.
Paul White concludes his short series on mixer automation with a step-by-step guide to setting up and running an automated mix.
Paul White goes beyond the final frontier with Roland's latest 3D sound processor.
Not a company to do things by half, Elektron have combined their first analogue synth with an incredibly versatile sequencer.