
Samson MPL2242
This new mixer from Samson can't lay claim to much originality but does offer a good array of features for its sub-£1000 price tag. Derek Johnson checks it out.
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This new mixer from Samson can't lay claim to much originality but does offer a good array of features for its sub-£1000 price tag. Derek Johnson checks it out.
RME's latest PCI soundcard is their first to support 192kHz sample rates, and offers a different balance of features compared with their existing Hammerfall cards.
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Waldorf have followed up their '90s blockbuster with a sequel — the Pulse 2.
You can achieve a lot with just a computer and a soundcard, but when you want to accommodate external sound sources or record with high-quality microphones then you really need to add a hardware mixer to your setup. Here's how to hook it all together for maximum flexibility.
Although all-valve mixers can really warm up sounds prior to digital recording, they're usually too large and expensive for the project studio. However, TL Audio's hybrid M3 now brings valve mixing within the reach of the home musician.
We lend some practical studio advice to a seasoned pro guitarist who is rather newer to the world of songwriting and home recording.
Korg’s analogue renaissance continues with the Monotribe groovebox. If last year’s Monotron knocked your socks off, this should leave you completely trouserless...
These nearfield ribbon monitors deliver a less fatiguing sound than some - but does smoothness come at a cost?
The successor to the MRS1044 has more of everything - tracks, inputs, sounds - at a very similar price. But with new fierce competition, is there still room for a Zoom?
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Inquisitor-General Paul White puts Samson on the rack, but finds few guilty secrets.
Line 6 have extended their reach into the bass amplifier market with the Low Down series, the smallest and most portable of which is the LD150.
The crack team of Paul White and Hugh Robjohns have travelled the world solving readers' problems. Here, they down the Hob...
Following the success of their first mixer, the 8-buss Eurodesk, Behringer have scaled down the concept to take on the crowded 4-buss market. Paul White checks it out.