SOUND ON SOUND
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Paul White tests the latest Marantz CD writer, which combines simplicity of operation with technical sophistication.
Everybody, as Fatboy Slim so wisely notes, needs a 303. However, with originals becoming ever more scarce and expensive, the dream of universal 303 ownership was starting to look unlikely — until now...
Last issue, we covered methods for recording a solo artist. This time Craig Anderton covers editing and comping.
Native Instruments bring you the classic drum sounds of Abbey Road, lovingly sampled at the studio itself.
Over the last few years, Magix's Sequoia and Samplitude have quietly been establishing a name for themselves in the mastering and recording communities, and the new version 9 of Samplitude looks set to win plenty more friends.
While music software interfaces still lag behind hardware in the tweakability stakes, theres a lot we can do to improve that situation with Mac OSs built-in features.
Its been a long time coming, but Propellerhead have finally unveiled their take on computer-based audio recording and mixing.
Learning Cycling ’74’s Max presents a challenge even if you’re used to other music software. Is this new version easier to get to grips with?
For the best part of 20 years, musicians have been asking certain Japanese manufacturers for recreations of their classic synths, and finally one of them has been brave enough to do it. How does Korg’s reborn MS20 compare to its illustrious ancestor?
It's been a long time coming, but has the latest version of Steinberg's Groove Agent been worth waiting for?
This recreation of a Bill Putnam classic brings back to life the qualities of a long-gone era — and does so in a truly uncompromising fashion.
The preamp from Neve’s “ultimate analogue console” is now available ‘to go’...
After 17 years mixing almost everything that came out of Jam & Lewis's Flyte Tyme Studios, there's very little Steve Hodge doesn't know about making R&B records work.
We check out Gem Audio's classy and charismatic interpretation of the recording channel strip.
From subtle warmth to screaming walls of noise, distortion is one of the most versatile effects in the studio engineers armoury.
MIDI song files have come a long way from just being copies of famous hits, as Vic Lennard discovers.
Just how do you make a mix sound loud without squeezing the life out of the music? Find out in our in-depth guide...
We find out how much you can do in the mix when the recordings aren't up to scratch — and how much you can't!
DMG Audio’s innovative plug‑ins combine friendly interfaces with an amazingly comprehensive feature set. Could they be the only EQ and compressor you’ll ever need?