SOUND ON SOUND
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The story of how a characteristically chaotic and unorthodox 1978 recording session took Ian Dury & The Blockheads to the top of the UK charts.
What could be better than a Bettermaker? A Bettermaker made better, of course...
In 2006, Bill Putnam's famous United Western studio complex on West Sunset Boulevard was re-opened as the EastWest Studios retaining much of it's original acoustic design.
This month: Ariel Lerner = Top Demo • Delta 400.
Nashville heavy-hitter Paul Worley was so impressed by Lady Antebellum that he gave up his high-profile job at Warner Bros to produce them. With Clarke Schleicher at the desk, the gamble paid off in style.
Why wait to fix it in the mix when you can mend MIDI tracks while you're recording them? Sonar's MIDI plug-ins allow you to automatically fix anything from incorrect timing to inconsistent velocities - and more.
Expand your monitoring options with clever routing in Logic Pro.
Many bands record their own albums these days, but few achieve as much with as little gear as Stornoway.
Reason has evolved in splendid isolation from other production tools, but version 7 sees Propellerhead build bridges to the outside world.
A unique and inspired choice of collaborators helped Björk blend powerful emotion with restless experimentation.
Instant Orchestra aims to take the pain out of creating orchestral parts — but can such an affordable library still produce the goods?
In Play, American dance producer Moby made one of the albums of 1999, which owed its critical recognition in no small part to the hit single 'Why Does My Heart Feel So Bad?'. Tom Flint talks to Moby to find out how the track was made.
Here's how to set up your own hardware–controlled channel strip in Cubase.
The depth and complexity of the Pro 2 could make it Dave Smith’s most sophisticated monosynth yet.
Soaring, anthemic descants and quicksilver runs are the meat and potatoes of old-school string arranging. But they may not be enough to save the day when disaster strikes…
Among Samplitude Pro X’s unique features is spectral editing in the main project window. Here’s how it works.
I don't think I've ever seen your magazine mention a useful...
The clever chaps at XILS Lab have given Roland's classic VP330 a new lease of life as a soft synth.
More of your submissions receive a healthcheck from 'Doctor' John Harris.
Muse Research continue to refine their Receptor virtual instrument player.