SOUND ON SOUND
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Martin Walker takes a look at the latest update to the Nemesys Gigastudio, and reports on a disturbing trend for shareware developers.
Theoretical figures and manufacturers' measurements may suggest that the latency of your soft synths is negligible — but that's no use if their timing is all over the place when you actually play them. Our real-world results give you the true picture.
USB latency is reduced by new Mac ASIO drivers, mLAN development activity steps up, and there's more news of MIDI and audio support in OS X. Meanwhile, Paul Wiffen is making a movie...
Effects can play just as important a role in sound creation as the elements in a synth's signal path — provided you have access to their constituent parts. We take a closer look at effects synthesis using simple delays.
Like a phoenix from the ashes, Martin Walker's PC rises once again, in a new (and hopefully more robust) configuration.
Rather appropriately, we round off this series by looking at what you need to consider when composing music designed to play while the end credits roll...
Shakespeare had his Dark Lady for creative inspiration, Dante had his Beatrice, Petrarch had his Laura — and you? You've got your PC! Janet Harniman-Cook compares three different interactive composition packages which aim to provide that elusive spark...
Looking like a star cruiser, or something from the film 2001 (rather than just the year), Alesis' Andromeda is the first analogue polysynth that approaches the complexity of a digital workstation. But does analogue necessarily equate to quality?
Artist, producer and remixer Arthur Baker must surely be one of the seminal figures in electronic music history, with a career that initially took off with the production of Afrika Bambaata's hugely influential 'Planet Rock'. Now he's taking a new direction, as boss and A&R executive of his own record label. Richard Buskin goes all starry-eyed...
A job helping to provide the sounds and recording the music for an animated Christmas special has SOS contributor Paul Ward hastily upgrading his studio and exploring the deepest recesses of his synth collection, in search of sleigh bells and singing reindeer patches...
Emu's multi-coloured assault on the sound module market continues with the Planet Earth, which houses a brand new set of ethnic and world sounds. Confirmed tree-hugger and Emu preset basher Paul Farrer takes time out from boiling a mixed-lentil casserole to check it out...
Wedding Present frontman David Gedge and engineer/producer Steve Albini are both brutally loud guitar-based alternative music — so what would happen when they collaborated on an album influenced more by Serge Gainsbourg than the Stooges? Tom Flint investigates...
In Part 1 (of 2) last month, we finished with the question: 'What is the Quadra? Is it a turkey of the first order, or a misunderstood and overlooked masterpiece?' This month, we'll take a closer look at the instrument itself to find the answer.
Martin Walker looks at Intel's new Pentium 4 processor, and catalogues the Cubase 5.02 update debacle.
Paul Wiffen reports on some historic developments for Mac musicians, as Apple announce their official support for the mLAN interface standard, and also comes to the rescue of more readers seeking advice.
What happens when the Director whose work you're scoring isn't satisfied, or demands changes due to events beyond your control? We find out, and also look at writing music for film trailers.
What if an instrument could combine the realism of a sampler with the complete control over its sounds that only a true synth can offer? That's what the long-awaited Hartmann Neuron claims to do. We put it to the test...
For millions of people worldwide, rai musician Khaled is not just an artist, he's a phenomenon. Paul Tingen catches up with the elusive Algerian, and two of his many producers, to get the full story.