
Media Content - January 2019
A list of all articles that hold associated media files for January 2019 audio examples.
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
A list of all articles that hold associated media files for January 2019 audio examples.
Listing of all SOS February 2019 articles that hold associated media files for audio examples.
Listing of all SOS April 2019 articles with accompanying media files.
Does the latest iteration of NI’s Komplete music production suite provide all the tools you need?
IK’s affordable iLoud range has grown into a serious monitoring tool. We put their new flagship to the test.
Listing of all SOS May 2019 issue's articles which feature accompanying media files.
Can Leapwing’s latest plug‑in really sprinkle some Al Schmitt magic on your recordings?
In the review of LUFS Meter in June 2018 [you can read the review here:www...
SOS Mix Rescue guru Mike Senior is a fan of automation-based fader-riding, and the technique is mentioned many times....
Audio file to accompany the article.
As well as upgrades to its fundamental algorithms, Gullfoss now includes both low‑latency Live and high‑resolution Mastering editions.
Listing of all SOS June 2019 articles with accompanying media files.
I'm writing this column in February, and here in the UK, half the country seems to be flooded — so terms like 'SOS' and 'Rescue' have taken on a far more serious connotation.
Sound On Sound are proud to be returning to the 141st AES Convention in Los Angeles to present the ever-...
Audio clean-up suite gets major update, with new modules for guitar noise removal, spectral recovery, and more.
Swedish mic manufacturers Pearl and Milab have been doing things differently for 80 years — with outstanding results.
Steinberg are on a mission with SpectraLayers. So, what’s new with Pro 8?
I can't find an all-pass filter plug-in in Logic, or an obvious freeware — can you recommend anything?
How many different reverb sends do you set up? Is it OK (or even preferable) to send one track to more than one reverb effect?
Pro Tools | Carbon might be the biggest news from the world of music technology this year. But how does Avid's "hybrid audio interface" work?