SOUND ON SOUND
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Paul White tries out a compact monitor from a new British company to see if it can rival the established names.
Achieving the right balance between quality, size, practicality and price is no easy task, but HHB have hit the nail squarely on the head with their Circle 3 Active monitors.
The Circle 3 nearfield monitors are the latest fruits of the collaboration between HHB and Harbeth. Hugh Robjohns tries them out.
The AE200S use metal-coned drivers throughout, but does this technology offer any advantages over more conventional designs? Paul White investigates.
Paul White finds out whether Tannoy's new Reveals have anything to hide...
Paul White finds that all things bright are not necessarily beautiful.
Is it a bird, is it a... toaster? Paul White tightens his seatbelt and road-tests the sporty new Rogers db 101s.
Paul White lends an ear to Westlake's new nearfield monitors and discovers that they have a distinctively Californian sound.
The minute he walked in the joint, Hugh Robjohns could see they ware real small Spendors. He decides whether he'd like to spend a little time with them...
Paul White discovers that Dynaudio's new nearfield monitors show economy of scale, not performance.
When Paul White heard that Rogers had built the LS1 low-cost monitors for home studio use, he was keen to try them out. But could they deliver Rogers' quality at such a low price?
Spirit's new baby monitors incorporate some of the design principles used in pro monitors costing many times the price. But have too many corners been cut to keep the price so low? Paul White finds out.
Once again, Paul White disrupts his studio listening system, this time to audition Tannoy's diminutive PBM5 IIs.
Soundcraft have added nearfield monitors to their product range in a continued bid for world domination. Paul White subjects them to the rigours of studio life.
Paul White rearranges his control room yet again, this time to test Waldorf's nearfield monitors plus the optional, and enigmatically named, Blue Boost.
PMC's latest studio speakers employ a number of proprietary technologies, including the company's trademark Advanced Transmission Line bass loading.