
Mackie HR626
Mackie continue to expand their range of studio monitors by combining an innovative D'Appolito design with their existing passive radiator technology.
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Mackie continue to expand their range of studio monitors by combining an innovative D'Appolito design with their existing passive radiator technology.

Combining multitimbral sample playback, loop tempo matching, synthesis, multi-effects and an 8GB sound library, is Plug Sound Pro the only software sound source you need alongside your DAW?

Combining several types of sound generation in one instrument, Clavia's Nord Stage harks back to the multi-keyboards of the 1970s. Is it a funky revivalist, or should it be considered a thing of the past?

Last month, Paul White looked at ways to tackle the noise and distortion that can spoil a mix. However, even a perfectly recorded mix can still sound terrible, and this calls for different tactics...

In another exciting installment of our studio 'makeover' series, the team rotate Bella Saer's entire setup through 90 degrees in search of a more effective working environment.

Another reader invites us into their home/project studio.

It's all very well having the virtual equivalent of Abbey Road in your computer, says Miles Glen, but when are you going to learn to use it all?

TC Electronic have upgraded their already impressive Finalizer mastering processor to include a number of new features, most notably 96kHz capability. Hugh Robjohns finds out if it's still at the top of the tree.

Most people knew that Gary Barlow was the songwriting force behind boy-band stars Take That, but his long-term interest in production and recording is less well documented. Now recording and co-producing his second solo album, he looks set to put the memory of his former band far behind him. Matt Bell pays him a visit at his impressive home studio.

Korg's newest workstation heavyweight boasts 32 recording tracks, a powerful 44:12:2 mixer, a programmable drum machine, and up to 11 simultaneous effects — all for under £1000. Read our hands-on report...

Whether you're a beginner or a seasoned pro, there's always something to learn about adding colour to your mix.

Under the hood of this affordable new Alesis compact mixer lurks an 18-in/two-out audio interface. Is it too good to be true?

The Nocturn uses Novation's sophisticated Automap technology to give you integrated, hands-on control of your software — and all for an almost unbelievably low price.

Recently, I bought a digital recorder and have been re-recording some of my old compositions from scratch in digital but, to my great disappointment, I am finding that my mixes are sounding harsh and cluttered. I thought digital recording would give me more clarity in the mix because of its higher fidelity. Where am I going wrong and what can I do about it?

The story of how a characteristically chaotic and unorthodox 1978 recording session took Ian Dury & The Blockheads to the top of the UK charts.

A special holiday edition of our hands-on troubleshooting column comes direct from sunny Turkey, where Paul White forsakes the beach to help Murat Yucel refine his band's recording setup.

David Ashman felt that his mixes lacked energy and were sounding 'too digital', so the SOS team set off to his home in Bristol to sort out his monitoring system and mix processing.

Looking for a new bass player? If you'd consider a software candidate, Steinberg's Virtual Bassist is now ready for audition...

The Wretch Machine sounds absolutely terrible — but that's exactly as its creators, Metasonix, intended. To see what valve-powered synthesis can do for you, read on...

Mixing and automating complicated projects can be made simpler if you use 'stems'. What are they and how do you do it? Read on...