
Cakewalk Sonar X3 Producer
As well as improving Sonar itself, Cakewalk have brought in some heavy-hitting third-party content. Does X3 have what it takes to tempt buyers away from other recording software?
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As well as improving Sonar itself, Cakewalk have brought in some heavy-hitting third-party content. Does X3 have what it takes to tempt buyers away from other recording software?

War Kites: We help a talented indie band achieve a more polished sound from their home recordings.

Engineer Eric Tomlinson recorded a host of classic soundtracks during his 40-year career, not to mention what's...

The sessions for U2s No Line On The Horizon took the idea of spontanaeity in the studio to new levels. Engineer Declan Gaffney was the man charged with creating order from apparent chaos...

When punk rock broke in 1976, the Sex Pistols caused panic in establishment Britain — and more than a few raised eyebrows in Wessex Studios, where Chris Thomas and Bill Price recorded the band's milestone EMI debut album.

This is far from being the first clone of a UREI 1176 FET compressor, but it's probably the cheapest to have hit the production lines. Is any of the classic sound sacrificed in Warm's cost-cutting quest?

The intrepid SOS team travel to Nigel Helm-Nurney's London studio to help his band Pombokiwi do battle with unwanted spill, uninspiring guitar sounds, and masses of egg boxes!

1973's 'The Most Beautiful Girl In The World' was one of the defining moments of the Nashville sound, and was the product of a finely-honed studio recording process.

The second part of our string-arranging series ventures into more dramatic musical territory, and explains how to manipulate orchestral string articulations when creating MIDI arrangements.

From their gear choices to their recording techniques, everything about Wild Beasts' approach to production is unconventional.

In 1981, 'Start Me Up' became one of the Rolling Stones' biggest hit singles. Yet it was actually a reject from a previous session, and only saw the light of day because its infamous co-writers had fallen out...

When Peter Gabriel made the transition from prog to pop with 'Sledgehammer' he did it on his own exacting terms...

Perfect your vocal pitch-correction techniques with Cubase's VariAudio.

While physical modelling preamps may take the hassle out of recording electric guitars, you're still going to need to reach for a mic when recording acoustic guitar. Paul White shows you how to get the best recorded sound, and offers a few of his favourite tricks of the trade.

Forty years after its original release, Mike Oldfield tells us the story of recording his hugely successful debut album, Tubular Bells.

The Silent Majority: sometimes the best way to improve a mix is to take a break from it.

Veteran guitarist Carlos Santana's 1999 comeback album Supernatural has been a sales phenomenon in the US album charts. Richard Buskin spoke to engineer Glenn Kolotkin, whose association with Santana goes back to his classic albums of the '70s.

Behind every musical milestone there's a pioneering engineer. In the first of an occasional series, Richard Buskin looks at classic recordings from a technical angle. This month, former Van Morrison engineer Elliot Scheiner talks about the 1970s sessions which produced the 'Domino' effect...

Fifty years after their first hit, the duo who discovered Blondie, the Ramones, Talking Heads and Madonna are still producing great new acts.

Extreme metal music demands, and expects, extreme skills from producers and engineers. In Part 1 of this in-depth masterclass, we explain the techniques that go into crafting modern metal sounds.