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Signed to Harvest, Janus made one album — and hated the way it sounded. Four decades later, they finally got the chance to mix it properly...

Whether you’re rescuing an over-compressed mix or extracting maximum punch from a drum track, Flux’s innovative multi-band dynamics tool could be just what you need.

If you've ever spent hours mixing only to be confronted with a wall of mud, you might need to think harder about how to use reverb and delay in your mixes — and some simple tricks can yield dramatic results.

This month, we record a jazz big band on location, tracing the project from the planning stages through to delivering edited multitracks to the mix engineer.

With over 50 Studio SOS visits under our belt, we thought it was time to discuss some of the most common studio problems we've tackled.

Think your own music is good? Listen to these tracks from SOS readers and see if you agree with the good Doctor's prognosis...

Proving that not every pop star is a manufactured creation, John Newman is as at home in the studio as he is on TV.

Always moving with the times, Steinberg's Wavelab now includes comprehensive loudness metering, along with new plug-ins and an improved interface.

Bruno Mars is the year’s hottest pop star, and one‑third of ace production team the Smeezingtons. Fellow Smeezington Ari Levine reveals how they created his hit album in a modest LA studio.