SOUND ON SOUND
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From PIL and Kate Bush to Nick Cave and Arcade Fire, Nick Launay has built a career working with artists who like to explore the outer limits.
The haunting dub of ‘Ghost Town’ perfectly captured the mood of its time, and spent three weeks at the top of the British charts during the turbulent summer of 1981.
This is the story of how an inspired rearrangement of an old song created a track that, 50 years on, remains a genuine and enduring classic.
Ken Freeman couldn't afford a Mellotron to play his string parts, so he invented a new kind of electronic instrument. But though the world would eventually embrace string synthesizers with a passion, he never got the credit he deserved.
SOS pops in on another regular reader to check out their home studio.
With his searing version of 'All Along The Watchtower', Jimi Hendrix set a standard for Dylan covers that has rarely been equalled. Eddie Kramer was behind the glass as the sessions moved from London to New York.
After more than 20 years making uncompromising industrial records, pioneering German band Einstürzende Neubauten escaped a creative and financial crisis through an Internet project which allowed their fans to influence the recording of their latest album.
Their combination of Southern soul and hip-hop gave Gnarls Barkley one of the biggest hits of the year, thanks in part to the mixing wizardry of Ben Allen.
Writing music for picture seems like the ideal career. You get to work in your studio for a living, you can earn good money, and there's so much potential work: action films, travel and nature documentaries, romantic comedies, cartoons, low-budget sci-fi, even breakfast cereal ads. But how do you break into this lucrative world?
Best known for his collaborations with Elton John, Gus Dudgeon is one of the most successful British record producers ever. He talks to Sam Inglis about his work.
'90s glamsters Suede wanted a more electronic, produced feel for their latest album, Head Music, so they linked up with production supremo Steve Osborne. Tom Flint talks to Steve about the complex production of the group's latest Top 20 single.
Apple revolutionised music‑making with the Macintosh computer, and now their tablet devices are poised to do the same. We offer the first in‑depth exploration of the potential of iOS devices for music.
Business End enables you to have your demo reviewed by a panel of producers, songwriters, musicians and managers. This month's industry panel is drawn from the MPG (Music Producer's Guild).
One of the most prolific manufacturers in China has launched three new affordable capacitor mics.
For the Staple Singers' landmark 1972 Stax album, engineer Terry Manning and producer Al Bell employed the talents of Memphis's finest musicians and two of the South's most famous studios.
It's easy enough to make a guitar and amp sound loud and gutsy in the live room, but how do you capture the same sense of volume and distortion on your recording? Phase alignment, that's how...
The Reckless album was a huge success for Bryan Adams, giving rise to six hit singles — but the first one, 'Run To You', was almost never even recorded.
We demystify the powerful internal routing and mixing engine within Emu's recent popular range of computer audio interfaces.
