SOUND ON SOUND
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EastWest have taken the part of the map marked ‘here be dragons’ and made it very much their own.
Live 12 introduces a raft of new features, devices and general improvements.
If we’re not going to embrace new technologies, if we’re not willing to learn and exploit new tools, what are studios going to be for?
The latest Rhodes plug-in models the Vari-Pan section of the flagship Rhodes MK8 piano, making it possible to the utilise the classic stereo panning effect on any other instrument or audio track within a DAW
Mayhem’s De Mysteriis Dom Sathanas album is the cornerstone of Norwegian black metal. We talk to producer Eirik ‘Pytten’ Hundvin about his unique philosophy and the making of this genre‑defining album.
Having previously only been available to those who own Apollo interfaces, UA's LUNA DAW is now supported natively on macOS and free to all.
The revamped Chord Pad offers even better support for songwriters than before.
Why clog up your stage with effects you only use briefly? Line 6’s new stompbox can be any pedal you want it to be, and will fit neatly into any pedalboard setup.
Guitar giants Fender join the modelling pedal party with this powerful and comprehensive floorboard. We put it through its paces...
Contrary to popular reports, preamps don’t all sound the same — and this clever modular system makes it easy to hear the ‘magic’.
Henrietta Smith‑Rolla, aka Afrodeutsche, bridges musical worlds like few others. The crossing of borders has always been a subject close to home for the British‑Ghanaian‑Russian‑German composer, DJ and producer, whose moniker was chosen after an exploration of her heritage.
UK microphone makers Sontronics have been acquired by 2B Heard Limited, an audio solutions company renowned for their premium installation services.
Toontrack and Frank Filipetti span a vast array of musical genres with the latest Superior Drummer expansion.
Cubase Pro 13 may be light on headline features, but its raft of small improvements makes it a worthwhile upgrade.
Does Lindell’s LiN2A sound as classy as the famous compressor that inspired it?
The 1960s: a time of sexual revolution, radical politics and microphones with built‑in spring reverbs.
The man behind colossal hits for Harry Styles, Miley Cyrus and Florence + the Machine takes a surprisingly old‑school approach to writing and production.
Lurking within this humble arranger keyboard is a completely new form of synthesis...
Rating: ★ ★ ★ ★ ★ 5/5 Stars. It makes sense that Heavyocity, devotees of dangerous, destructive, distorted brain‑crushing timbres, turn their attention to heavy guitar.
LANDR’s automated mastering service just got better... and it no longer requires a connection to the cloud.