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Computer recording technology is now very mature, but many people still prefer to work with traditional mixing desks. So why not get a desk that fully integrates with your computer? Here’s our pick of available options.

The compact UR22 offers 24-bit, 192kHz recording, a bundled version of Cubase, and a very reasonable price: what’s not to like?

This slimline rack processor makes CEDAR's latest class-leading audio-restoration algorithms remarkably quick and easy to use.

Less than a year after refreshing their eight-channel preamp design, Audient have released another. What makes this one different?

Already dominant elsewhere, audio-over-IP is poised to take over the studio world. We explain how it works — and why there are so many protocols!

Paul White tries out a two channel compressor with tube 'warming' and optional digital I/O.

Competition in the world of 16-track recording workstations is hotting up, and Akai's new DPS16 looks to be a prime contender, with its impressive user interface and 24-bit/96kHz capabilities. Derek Johnson and Debbie Poyser take it for a spin.

Yamaha's list of mLAN products continues to grow, and their rackmounting i88X offers high-quality mic preamps, analogue, digital and MIDI I/O in a 1U rack unit.

Ethernet-based audio interfaces seem set to be the next big thing in digital audio, and forward-looking manufacturers Focusrite are getting in on the ground floor.

M-Audio have broken a price barrier with their Firewire 410, which is easily the most affordable Firewire recording interface on the market.

The Integra 7 might at first glance seem to be a Jupiter in rack form, but it turns out there’s more to it than that — much, much more...

Edirol's first foray into Firewire audio is a compact 10-in, 10-out device with microphone preamps, S/PDIF and MIDI.

Neumann are known for producing outstanding microphones, and their new flagship monitors are no less impressive!

The FW1884 is more than just a well-specified Firewire audio and MIDI interface: it also offers detailed control over almost every MIDI + Audio sequencer thanks to its motorised faders, rotary controls, transport buttons and more.

Laptop computers have tended to be difficult to use for music, one of the main problems being their limited or non-existant audio I/O. Vo Fletcher tries out a product which eliminates this shortcoming.

Line 6's latest products are USB boxes that turn your computer into a low-latency amp-modelling system.

It's live, Jim — but not as we know it. We look at how the rise of affordable, portable gear has enabled a new approach to music-video making.

Buying your hardware and software from the same manufacturer is usually a good bet for hassle-free recording. Steinberg's latest package bundles their Cubase SL 2 sequencer with a four-in, four-out USB interface.

Until recently, the benefits of the high-bandwidth IEEE 1394 interface were available only to musicians on a relatively generous budget, but now M Audio are making Firewire peripherals available at new low prices to PC and Mac users.