SOUND ON SOUND
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Rating: **** 4/5 Stars. Sound Dust’s Felt Dulcitone is a rather oddball instrument created by abusing a dulcitone portable keyboard.
The latest version of Image Line's FL Studio introduces a range of the community's most requested features alongside a selection of new plug-ins.
Mixing guru and SOS contributor Mike Senior has announced the launch of his latest online course, which is available now through his Cambridge-MT website.
ILIO are running a giveaway that will allow one lucky participant to win a copy of Keyscape from Spectrasonics and a Roland A-88 MkII keyboard controller.
Fieldworks Volume 1 is a collection of royalty-free experimental field recordings intended for use in a range of music and sound design applications.
Mic preamps and DIs all sound the same, right? Nope!
Film composer and producer Ludwig Göransson has earned a stellar reputation for sonic world‑building.
Containg a range of sounds recorded and produced by Trevor Horn himself, Spitfire's latest release promises to capture the style and otherworldly sonic character the legendary producer is renowned for.
Cubase Pro 13 may be light on headline features, but its raft of small improvements makes it a worthwhile upgrade.
Rating: ***** 5/5 Stars. Hemisphere is simply gorgeous, with a varied range of carefully curated sound sources, additional effects, and some unique features.
Eddie Bazil dives into some of his favourite plug-ins and delivers a series of examples on how to use these tools creatively.
It was roughly a decade after moving to the UK from West Tokyo in 2004 that Japanese producer and artist Koichi Yamanoha came up with the kaleidoscopic mix of folk, art‑rock and psychedelia he calls Grimm Grimm.
With the new Sketch window and app, Pro Tools enters the world of clip launching.
Underpinned by rapid developments in AI technology, SpectraLayers Pro 10 promises some remarkable advances in performance.
Reason’s new Objekt synth takes physical modelling in a new direction.
Bend Markers let you manipulate your audio timing with ease.
Cherry Audio delve into the distant past to bring us two new virtual instruments.
Rhodes’ software recreation of their flagship instrument shows all the same painstaking attention to detail.
With their iPad version of Logic Pro, have Apple succeeded in implementing a touch‑first user interface without sacrificing pro features?