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Editing MIDI In Studio One

PreSonus Studio One Tips & Techniques

We explore Studio One’s MIDI editing facilities.

Published July 2022

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Klevgrand Brusfri

Noise Reduction Plug-in

Brusfri is a simple‑to‑use noise‑reduction plug‑in designed to attenuate steady‑state noise using the established technique of analysing a short section of ‘noise‑only’ recording.

Published October 2022

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Orchestral Tools Metropolis Ark 5

Sine Player

Rating: 5/5 Stars. Large orchestral sections are augmented by a mixed choir, but in an unexpected twist this sample library also includes analogue and modular synths.

Published October 2022

Spitfire Audio Mercury Chas Smith virtual instrument sample library

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Spitfire Audio release Mercury

Mercury from Spitfire Audio samples a collection of unique instruments built by Chas Smith, a builder whose creations have featured in the work of some of the world's top composers.

Published 26/8/22

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Moog Moogerfooger Plug-ins

Effects Plug-ins

Moog may be better known for their synths, but their out‑of‑production Moogerfooger effects change hands for silly prices. And now they’re available in software form...

Published February 2023

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Doepfer A-126-2

Eurorack Module

The A‑126‑2 is a redesign of their long‑discontinued A‑126. It’s a slender 8HP module in Doepfer’s usual utilitarian design...

Published November 2022

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Logic Pro: Customisation & Project Navigation

Apple Logic Pro Tips & Techniques

Be bold and take full advantage of Logic’s incredible customisation features.

Published November 2022

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Exploring Cubase's Bundled MIDI Plug-ins | Audio Examples

Hear For Yourself

These audio examples accompany our Cubase workshop in SOS March 2022.

Published March 2022

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PreSonus Studio One 6

Digital Audio Workstation

PreSonus’ DAW software continues to grow and improve as it reaches version 6.

Published December 2022

The creation of several samples, each covering a limited musical range, the idea being to produce a more natural range of sounds across the range of the instrument being sampled. For example, a piano may need to be sampled every two or three semitones in order to sound convincing.