SOUND ON SOUND
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I'm writing this shortly after returning to work after the Christmas holidays and I'm currently cut off from the outside world...
• Sean Kingston 'Party All Night' • Gotye 'Somebody That I Used To Know' • Olly Murs 'Heart Skips A Beat' • Carly Rae Jepsen 'Call Me Maybe'
We make a rare visit to a world-class recording studio, as one of The Church’s engineers takes us through a recent session.
Andrew Rose has built a successful business by restoring and releasing great lost recordings of the 20th Century. He explains how he brings back the original magic...
One of the most powerful of last year’s World War One centenary projects came from an unexpected source: legends of industrial music Einstürzende Neubauten.
Engineer Eric Tomlinson recorded a host of classic soundtracks during his 40-year career, not to mention what's...
Electronic musician Dan Deacon takes audience involvement much further than most artists, often setting up his gear in the middle of the crowd. He speaks to us about his equipment and the philosophy behind his wild live shows.
Forty years on, one of the most famous tours in history is now the basis of an epic live album.
The Mix Review in Sound On Sound This month we analyse hits from Biffy Clyro, Armin Van Buuren and Duke Dumont, and take a look back at a classic mix, Sinead O’Connor’s version of “Nothing Compares 2 U”, from 1990.
HOFA claim that their IQ Reverb combines the realism of convolution with the editability of algorithmic reverbs.
A major update to PreSonus’s cross–platform DAW sees Studio One take some popular feature concepts to new levels.
In their 39–year career the Fall have always embraced chaos, but perhaps nowhere more so than in the studio.
When producer Martin Rushent took the Human Leagues leaden new song and turned it into pop gold, the band hated it — but that didnt stop it from being a number one hit on both sides of the Atlantic...
With musical instruments, its the interface that counts...
Pitch correction of vocal parts is now commonplace in all but a few genres. Find out how to craft a professional-sounding result.
A leading tour musical director explains how his experience as a producer helps him to prepare hit records for live performance.
Microtech Gefell mics have long been revered for their sonic performance in the studio — so why not use them on stage too?
To say that producer Chris Hughes was closely involved with Recording Adam & The Ants’ biggest records would be a bit of an understatement — he got so involved he joined the band...
This month's Sounding Off lives dangerously, re-opening the dreaded 'Mac vs PC' debate. With tongue planted firmly in cheek Stephen Bennett prepares himself for next month's onslaught of hate mail from PC evangelists...