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Throbbing Gristle’s highly individualist approach to music extended as far as making their own instruments and, ultimately, their own genre.

XILS Lab continue to trawl the depths of obscure synth history, this time with an emulation of that rarest of beasts, the Elka Synthex.

Ken Andrews won a blind shoot-out against some of the biggest names in the mixing world. His prize: the plum job of mixing Paramore’s acclaimed comeback album.

The Buggles' JG Ballard-inspired 'Video Killed The Radio Star' hit the number one spot in no fewer than 16 different countries, and confirmed Trevor Horn in his career as a producer in the process.

Oasis’s 1996 gig at Knebworth marked the end of an era for point–source PA. We asked the people who made it happen what has changed since.

Bruce Swedien has been the engineer of choice for Michael Jackson and his producer Quincy Jones, among many others. In a rare interview, he lays bare the techniques behind some of the superstars biggest hits.

Love it or hate it, ‘hard’ pitch correction is still a much used technique — and it’s simple with Sonar’s V-Vocal.

Daft Punk spent four years and over a million dollars on their quest to revisit the golden age of record production. Mick Guzauski and Peter Franco were with them all the way.

Originally intended for another group, ‘Kiss’ was quickly reclaimed by Prince when he heard David Z’s arrangement. Despite record company scepticism, the track became his third number one single and rejuvenated his career.