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Unique, unnavigable and steeped in history, the BBC’s extraordinary Maida Vale studio complex exemplifies everything we love about our national broadcaster!
Throbbing Gristle’s highly individualist approach to music extended as far as making their own instruments and, ultimately, their own genre.
'Take On Me' was a huge hit, but its birth was a difficult one, taking three years, three versions and a pioneering video to finally give A-ha their first chart success.
XILS Lab continue to trawl the depths of obscure synth history, this time with an emulation of that rarest of beasts, the Elka Synthex.
The story of how a characteristically chaotic and unorthodox 1978 recording session took Ian Dury & The Blockheads to the top of the UK charts.
Ken Andrews won a blind shoot-out against some of the biggest names in the mixing world. His prize: the plum job of mixing Paramore’s acclaimed comeback album.
Vinyl is still the listening format of choice for many consumers. Using it as a recording format is more of a challenge!
The Buggles' JG Ballard-inspired 'Video Killed The Radio Star' hit the number one spot in no fewer than 16 different countries, and confirmed Trevor Horn in his career as a producer in the process.
A new Incubus album is always an event, especially when produced by the legendary Brendan O’Brien...
Oasis’s 1996 gig at Knebworth marked the end of an era for point–source PA. We asked the people who made it happen what has changed since.
Even Neve themselves make several variations on the classic 1073 theme. What makes this one different?
Bruce Swedien has been the engineer of choice for Michael Jackson and his producer Quincy Jones, among many others. In a rare interview, he lays bare the techniques behind some of the superstars biggest hits.
Robert Louis Medina explores the sordid world of naked Dutch flesh — and bemoans the gulf between the quality of Roland products and that of Roland manuals.
Love it or hate it, ‘hard’ pitch correction is still a much used technique — and it’s simple with Sonar’s V-Vocal.
The Roland Studio Capture offers a very generous amount of analogue I/O and an unusually high level of digital control.
Daft Punk spent four years and over a million dollars on their quest to revisit the golden age of record production. Mick Guzauski and Peter Franco were with them all the way.
Jeff Bhasker doesn’t usually mix his own productions or work with indie-rock bands. With Fun, he did both — and created a worldwide hit.
Originally intended for another group, ‘Kiss’ was quickly reclaimed by Prince when he heard David Z’s arrangement. Despite record company scepticism, the track became his third number one single and rejuvenated his career.
The abandoned Soviet mining village of Pyramiden provided Efterklang with a unique recording venue — and the constant threat of being eaten by polar bears.