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While Cubase's graphical environment makes the application easy to use, it's not always clear exactly where signals are being routed. This month, we open the virtual bonnet and take a look at signal routing in the VST 2.3 audio engine used in both Cubase SX and Nuendo 2
Astonished by the speed of software development, Martin Russ wonders where it's all leading... MOTU Digital Performer.
This Vox-inspired special edition of Roland’s analogue modelling amp is equally impressive at home, on stage or in the studio.
We show you how to organise your musical scrapbook in Reason.
A common occasion for grief in Pro Tools is when moving projects from one system to another. Here are some tips to help you keep your hair.
As well as tackling monitoring issues, this month’s Studio SOS visit sees the team making extensive modifications to a leaky vocal booth.
This month Martin Russ gives you the hands-on lowdown on System 7.5 for the Macintosh, as well as the latest Apple news.
Martin Russ checks out some worthwhile shareware, explains the benefits of registration, and nudges his mouse.
The German manufacturer RTW has a long history in the broadcast sector dating back to 1965, mostly in the areas of specialist metering systems and equipment interfaces.
Two heavy hitters in the world of digital audio have come up with an intriguing new synthesis of hardware and software.
One of the easiest ways of achieving synchronisation between music and pictures is to run both on the samecomputer. Hugh Robjohns talks to a writer of music for broadcast who does just that.
As studio computers get faster, they grow noisier. Is it possible to build a machine that\'s not just quieter than a standard PC, but completely inaudible?
Martin Russ gets to grips with Quick Time 2.5, explains how Weird Blinking Lights work, and gives his regular roundup of Mac news and useful 'net addresses.
KMI bring their trademark tactile genius to the world of percussion pads.
Insanely tweakable, and promising the ability to mimic your own amp, could this be the last word in amp modelling?
As more musicians and audio professionals begin to embrace G5 Power Macs, we take a look at quantifying just how much host-based DSP power you can expect. Plus, news of the 20-inch iMac and an explanation of 'Journaling'.
Paul White tries Emagic's new audio file compression utility while balancing the implications of time and space.
With its familiar interface and enormous potential for expressive control, is the ROLI Seaboard the future of the keyboard?
Nearly two years after everybody else jumped on the Power Mac bandwagon, Mark Of The Unicorn have finally come on board with their flagship sequencer, which will now record and play back audio without the need for external hardware. Has it been worth the wait? Derek Johnson finds out.