
Laurent Garnier
When DJs produce their own albums, the results can be mixed — but Laurent Garnier is not your average DJ, and his 'The Cloud Making Machine' is anything but a conventional house or techno record.
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When DJs produce their own albums, the results can be mixed — but Laurent Garnier is not your average DJ, and his 'The Cloud Making Machine' is anything but a conventional house or techno record.
Behind every rap megastar, theres a very talented engineer. Young Guru was at the desk throughout the recording and mixing of Jay-Zs latest smash-hit album, The Blueprint 3.
Although still available to buy new, TC Electronic's 1210 is actually older than much of the gear featured in Retrozone. However, it's not a synth, but an effects processor. Norman Fay explains his deep-seated love of this grizzled veteran among effects.
Melding Beatlesque pop melodies with symphonic strings, multi-layered vocals and leader Jeff Lynne's generally overblown production of his own compositions
Mixing strings in rock music: our engineer follows up last month's string‑recording session by describing how he integrated those strings into a full‑on rock mix.
Brauner's latest offering is a solid-state mic that claims to provide the same sonic character as their state-of-the-art valve designs, at a lower price. Is it too good to be true?
Music journalist Rikky Rooksby considers the effect technology is having on music, and tries to extract some of the digit from digital.
Inspired by a Persian classical poet and a certain Mrs Harrison, 'Layla' went on to become Eric Clapton's most enduring hit.
Hank Shocklees 1988 collaboration with Public Enemy brought a new aggression to hip-hop — both sonically and politically...
Our esteemed Editor In Chief got bored over Christmas so he decided to conduct a Studio SOS makeover on his own studio. Read all about it...
This reader ditched all his old synths and hardware in favour of a shiny new all-singing, all-dancing Music PC and soft synths. Does he now regret the decision? Read on...
We caught up with the man who’s spent nearly half a century in charge of live sound for one of the biggest bands in the world.
Front-of-house engineer David Williams talks to SOS about why mixing with a DSP audio interface is worthwhile, despite the dangers of using a laptop on stage.
For the latest addition to the Real range, Music Lab have turned their expert attention to the classic Les Paul Custom.
The resurrection of Moogs stellar bass synth has caused a considerable stir. Can the Taurus 3 live up to the venerable reputation of its ancestor?
The standout track from the Beastie Boys' smash hit Ill Communication album nearly didn't make it onto the record at all — and when it did, it was the eight-track ADAT mix that made the final cut.
John Forbes talks to SOS about how he became musical director for Ne-Yo, creating live arrangements for one of the world’s top R&B artists using recorded parts.