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The first step to setting up a Pro Tools session is to understand what its different track types are for.

Korg shook the hi-tech recording world in 1988 with the introduction of the M1 workstation. With their new Trinity range, Korg are attempting to update the workstation concept for the 1990s. In the first instalment of this two-part review, Gordon Reid assesses how they have fared.

This month, we breathe life into a track by restructuring it to avoid unnecessary repetition, adding subtle new parts, employing various mix tricks and finally applying a little DIY 'mastering' polish...

This month we deal with thorny phase-cancellation problems, overhaul musical arrangements and get creative with effects, as we rise to the Mix Rescue challenge.

Paul Weller's latest album was brimming over with musical creativity. The challenge for mixer Jan Kybert was to forge a coherent album from a mass of ideas.

Bruno Mars is the year’s hottest pop star, and one‑third of ace production team the Smeezingtons. Fellow Smeezington Ari Levine reveals how they created his hit album in a modest LA studio.

At first sight, Cakewalk's new virtual studio suite might seem like a Reason clone — but it's actually a highly individual product, which offers a new and unique approach to creating music from patterns, sequences and loops.

No-one has come near to producing a convincing copy of a Pultec EQP-1A at a wallet-friendly price. Until now!

Does Kush Audio’s expertise in designing analogue equipment translate into the plug-in realm?