SOUND ON SOUND
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Whether you’re a professional working in post-production or a humble home studio user, there’s a version of iZotope’s RX restoration software to suit you.
This month: Snarky Puppy • Zedd & Alessia Cara • Royal Blood • Kendrick Lamar • Kyle • Classic Mix: Fleetwood Mac ‘Dreams’ (1977).
Our cover feature this month is an exclusive review of the Mackie DL32R. With a rackmountable stage-box...
Here are links to the audio files from March 2008's MIX RESCUE article, for those readers who buy the magazine from the newsagent and don't wish to type in all those long URLs.
While emulations of other classic analogue synths abound, there's only ever been one way to get your hands on a CS80 — until now.
This compact yet powerful console puts Allen & Heath's touring-grade processing into a much more affordable package.
On the cover this month, we have the impressive Moog Sub 37 which combines an arpeggiator, step-sequencer,...
Orchestral Tools add orchestral percussion to their Berlin symphonic project and unleash a second cinematic epic.
With the final programme for Loop — Ableton’s music summit — being announced, we took the opportunity to catch up...
Spectrasonics’ major keyboard collection combines classic vintage instruments with a gallery of unique rarities.
Controlling harsh 'ess' and 'tee' sounds in a vocal can be surprisingly challenging, but SPL's technology aims to make it easy.
The Rev 2’s attractive feature set and inviting price tag could make it the most popular Prophet yet.
The 9.4 software release sees Universal Audio add a modern classic to their plug-in range.
ADAM’s new S Series is packed with DSP, and incorporates all-new driver designs. We try out the mighty midfield three-way S3V.
Just what should you expect when engaging a professional arranger or orchestrator to work on your own production? We find out from some of the best in the business...
Catherine Marks trained in one of the world's most demanding professions — then gave it all up to make tea in a studio...
This combination of Pultec-inspired stereo mastering EQ and VCA bus compressor could earn its keep in a wide range of situations.
Hal Ritson is one of the most in-demand producers on the deep-house scene. Here, he reveals the secrets behind the genre’s distinctive vocal sounds.