SOUND ON SOUND
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Can Kush maintain their reputation for fine-sounding analogue gear with this interesting EQ?
Using advanced DSP and squeezing a 15‑inch driver into a compact cabinet, JBL’s lightweight PA promises convenience, volume and clarity in abundance.
Write, record and release a song today!
Direct X plug-in support has been dropped from Steinberg's Cubase 4 sequencing software — so what do you do if you have projects that use such plug-ins and you want to upgrade to the latest Cubase? PC Musician offers some solutions, as well as rounding up the latest PC news and information.
There are many VCA compressors available, at a range of prices, but very few employ a fully discrete gain-reduction element. So what exactly does this design feature bring to the table?
They form the foundation of most bands, but getting them right can be tricky. We explore the many ways to deal with bass guitars on stage.
Engineer Brian Humphries tells the story of recording Pink Floyd’s nine-part lamentation to their lost colleague, Syd Barrett.
This novel 500-series module has the potential to be any processor you want!
A project that was started to help unsigned bands show solidarity with victims of the Paris attacks has grown to unite musicians, artists and film-makers from around the world. And it’s not finished yet...
Music is not the universal language. You’re thinking of Esperanto.
We take a look at the renamed Metro Goldwyn Mayer (MGM) studio.
Unlike most compact recorders, Sony’s all-new design supports DSD recording. Is that enough to justify the price?
Rain are quick off the mark with a model featuring the latest ‘Sandy Bridge’ CPU — and the results are rather impressive...
SE's first back-electret microphone offers impressive performance at a surprisingly low price.
Better use of your Mac’s Spotlight feature could save you hours of arduous searching...
The stagebox/mixer format has become hugely popular of late. Does Behringer’s affordable take on the concept deliver the goods?
The Forte offers stage-piano immediacy combined with the deeply programmable synthesis that we’ve come to expect from Kurzweil.