SOUND ON SOUND
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Cubase 6 pushes the boundaries of expressive sequencing, while adding polish and new editing functionality to keep existing users happy. Is it all too good to be true?
Continuing his in-depth explaination of the Logical Edit functions of Cubase in Easy Mode, Paul Sellars looks this month at the role of the Processing stage settings, in conjunction with the Filter and Function operation, before moving on to the greater complexities of Expert mode...
If you've been desperately seeking a TB303 at any price, this inexpensive software, which provides the equivalent of two of the little silver dream machines, plus a virtual TR808, could be the answer to your prayers. Derek Johnson & Chris Carter find out whether it's too good to be true...
Tascam's CD-RW5000 is one of the more cost-effective CD recorders around that can make use of the cheaper 'pro' blank discs — and the company have also released a useful box that can duplicate both audio CDs and CD-ROMs. Paul White checks them over.
Studio management software, Cubase mixer maps, sounds and editor/librarian programs for a range of older synths are all up for grabs as an Atari developer posts his previously commercial work for free on the Internet. Derek Johnson tells you what's available and keeps an eye on the Atari news scene.
Running out of processing power is a frequent source of frustration for those working with computer-based digital audio. Martin Walker tackles some common queries about how to avoid it.
The SOS team return to Cambridge, turning another home studio upside down in search of improved vocal and guitar sounds.
The head of the design team behind the Lexicon Studio talks to Paul White about the Lexicon sound and the benefits of the Studio approach — and offers some practical tips on optimising PCs for audio recording.
Ever wondered how to tame a large, lively room without drills, nails or glue? Or how best to mount monitors without speaker stands? Then read on to find out how we helped Simon Mayor and Hilary James.
The remarkable success of the Drake Music Project is proving that where music technology is concerned, disability is no handicap. Mark J. Prendergast joins the levellers...
You're given a Logic project with a less than impressive drum recording, and you need to make it sparkle. Do you book another recording session, get down to some serious editing, or replace the whole lot with samples? Delay your decision until you've read this article...
Pro Tools is about to get Rocket Network compatibility, facilitating long-distance collaboration between Digi users. Also this month, we continue our series of inter-application transfer tutorials with a look at how to move Digital Performer tracks into Pro Tools.
VST Instruments can create a huge variety of sounds from the comfort of your MIDI + Audio sequencer, but can also be asource of confusion for many computer users. Martin Walker answers the most common questions, and provides advice about automation, timing, and sound quality.
We bring our series on rediscovering the the art of sampling to a close, with a look into the future.
If you want to use both a high-quality analogue mixer and a DAW control surface, you'll probably want to put them both in the same place. Well, now you can — and you get a multi-channel audio interface to boot.
With impressive improvements in power, speed and flexibility, Digidesign's software upgrade for their flagship digital audio production system keeps them ahead of the pack. Paul D. Lehrman wonders where the catch is...
Paul Sellars offers some advice on what musicians should look for when choosing Internet audio software, and introduces the best of the current slew of Windows applications.
Buss-powering USB and Firewire peripherals from a laptop seems like a good idea, cutting down on annoying power supplies and keeping everything portable — but it's not quite as straightforward as you might imagine.
Lexicon's latest hardware reverb is designed to be as easy to control from your computer as a plug-in.
The new Motif XS range is top of the pile when it comes to Yamaha synth workstation technology, and thus will be going head-to-head with flagship contenders from other big-name manufacturers. Does the XS have what it takes?