Signal Processors

Strymon’s Brig is a digital pedal that runs analogue ‘bucket brigade’ delay emulations, and offers three switchable delay voicings.

The ever‑growing UAFX stompbox line‑up now includes a range of more affordable single‑function digital pedals: 1176 Studio Compressor, Orion Tape Echo, Heavenly Plate Reverb and Evermore Studio Reverb.

The cab‑modelling pioneers take on the rest of the chain, right from the preamp input to the mics.

The latest pedal from Warm Audio pays homage to one of the all‑time pedalboard favourites, the Fulltone OCD pedal.

OE’s all‑analogue bass pedals pack the sound of a stack into a stompbox.

The Ultraviolet is the third pedal to join the ranks of Strymon’s new compact line of ARM‑powered processors.

It’s nearly half a century since the first guitar synth became available commercially — and, boy, have they come on a long way since then!

This dual‑distortion box is equally at home with guitars,synths and drum machines, on a dusted‑daily desktop or a filthy stage pedalboard...

The Berkeley pedal, from UK-based manufacturers Horrothia, aims to recreate the vintage Uni-Vibe sound but it’s not an outright clone.

Still searching for an ‘always on’ overdrive that works with your guitar’s volume control turned up or backed off? Your search might be over...

This pedal brings Roland’s classic ’80s rackmount delay into the 21st Century, with dual delay engines and modern control options.

Walrus Audio have come up with a pedal whose five switchable preset program types interact with the other controls to provide a range of granular effects that range from smooth and hypnotic to glitchy and agitated.

There’s more to this stylish‑looking pedal than meets the eye!

Designed in collaboration with the JHS Pedals team, EHX’s Lizard Queen is a slightly unusual distortion pedal...

The Tonex Pedal makes IK’s powerful amp‑capture technology available in a standalone hardware unit.

The latest additions to Universal Audio’s UAFX digital stompbox range offer faithful recreations of classic studio tape delays, reverbs, compressors — and even a vintage microphone preamp.

Croatia‑based manufacturer DryBell’s Module 4 design aims to recreate the famous Orange Squeezer compressor.

There are many reverb pedals around, but this box has a few tricks up its sleeve.

These new all‑analogue simulations run a real tube on a high‑voltage supply, and cover a useful range of tonalities.

Want to use a real Big Muff Pi in your DAW session? With this one, you can just plug and go...

With its astonishing array of new and cherished effects, Eventide’s ‘everything pedal’ should appeal to guitarists, synth heads and mix engineers alike.