Synthesizers

People keep on making 'em, people keep on buying 'em. Is there no end to the appetite for TB303 clones? Paul Nagle checks out one of the cheapest yet, and concludes that FAT is good for you after all.

Perhaps 'more sounds for less money' is becoming a tired selling point, but Christopher Holder finds some features that set Korg's latest GM sound module apart.

One of the hit synths of 1996, Waldorf's Pulse is now available in a slightly upgraded version, incorporating an external audio input and CV/gate interface. Paul Nagle sets it, squizzing and phzweeing to find out exactly what has put the Plus in the Pulse.

Paul Ward dons a Miami Vice-style jacket and a pair of pink-rimmed Armani shades, and travels back to the '80s heyday of FM synthesis for a retro look at the one-time flagship of Yamaha's synth range, the multitimbral TX802 expander.

Derek Johnson takes a second look at this powerful instrument, now available at a fraction of its original retail price.

The MU10XG's unassuming casing conceals a sound source with hidden depths which you can explore using MIDI SysEx.

Could this be the most diminutive general MIDI module on the market? Derek Johnson finds out whether small is beautiful...

A synth's filter plays a major part in defining its sound, and creates the particular character of the best-loved vintage analogue models. Courtesy of its different filter cartridges, the ATC1 aims to be able to change its sound to suit your needs. Paul Nagle plugs in.

Almost a decade since the release of their classic EMT10, Yamaha have returned To the piano module market, spinning off some of the technology used in their top-end digital pianos and using it in an inexpensive half-rack expander format. Dave Crombie tickles the virtual ivories...

At under £500 — less than an eighth of the original price of its VL1 predecessor — Yamaha's VL70m constitutes a brave attempt to bring physical modelling synthesis within the reach of all musicians. Martin Russ joyfully welcomes this monophonic modelling module...

With a front panel resembling a butchered Moog Source, and plug-in filters that claim to give you the sound of various vintage brands inside one instrument, the ATC1 is bound to excite interest. Paul Nagle changes his tune.

Martin Russ sidles up to an innocent-looking phone-box, receives his instructions, and sets to work decoding Yamaha's affordable new Virtual Acoustic synth. This preview will self-destruct in five seconds...

Is it a Filofax? Is it a Stylophone? No... it's Roland's answer to Yamaha's portable music Walkstation family. Faster than a speeding bullet, Derek Johnson and Debbie Poyser apply their X-ray vision to the new PMA5.

British company Novation made their name with the BassStation synth, which offered dance music producers instantly tweakable, analogue-style synth sounds in a MIDI-controllable package. The new DrumStation applies the same formula to the de rigueur dance sounds of Roland TR 808 and TR809 drum machines. Paul Nagle moves from station to station...

With prices for an original Roland TB303 as high as £1000 on the open market, it is unsurprising that the last two years have seen a number of manufacturers attempting to emulate the 303 in a cheaper, MIDI'd form. Martin Russ checks out the latest pretender to the throne...

It may be Swiss, but there's nothing cheesy about the idea of a synth that lets you rekindle your rusty analogue programming skills. Paul Nagle dons his boots and goes hiking through the peaks and troughs of the ProTone's analogue waveforms...

Few people would deny that there's nothing like a real acoustic piano — but they're not always the most practical of instruments. Paul Ward looks at an electronic alternative that could be the answer.

Expandable and user-friendly, Ensoniq's new synth module favours preset sounds and effects over editing and programming options. Julian Colebeck asks how the Mr Rack stacks up.

Michael Anthony takes us back to the mid-eighties, when MIDI was in pre-school playgroup, and manufacturers built synths that couldn't decide if they were analogue, digital, or both...

A monosynth that doesn't cost monopoly money? Paul Nagle thinks Waldorf's new Pulse offers the most fun you can have with your presets off...

Paul White checks out the successor to his beloved D4 and ends up casting sidelong glances at his cheque book.