Mixers

Splitting out your stereo signals into separate Mid and Sides tracks can open up a world of creative options in your mix.

However much studio trickery is considered 'normal' in a genre, the unwanted side-effects of processing can rob your mixes of impact. But it doesn't have to be that way

Getting vocals to 'sit right' can require a lot more than setting the fader and applying EQ. We asked a number of engineers how they do it.

Listing of all SOS April 2019 articles with accompanying media files.

In Part 2 of our Video Feature, Josh Giunta from GSI Studios moves on to the recording and mixing processes, exploring the fine art of microphone positioning, dealing with phase, and mixing techniques.

Audio & Video Files to accompany this month's Session Notes article.

Having created the conditions for a successful mix last month, what can you do to fit your vocal in the mix?

A combination of modern technology and skilled engineering has allowed Chicago’s landmark festival performance to be released, almost 50 years after it was taped.

Once you’ve recorded, edited and comped your vocals, a little careful prep work could pay real dividends when it comes to the mix.

Working with a producer and an ambitious timescale, our engineer planned ahead for the best chances of a good result.

Mixing an album can be more challenging than working on songs individually — but it can also be the most satisfying achievement for an engineer.

The cruise-ship industry is booming, and with it a number of career opportunities — for those who can meet the unique challenges of mixing live sound at sea.

Drawing our mini-series to a close, we take you on a detailed tour of the mix and mastering stages of the Damnation’s Hammer album Unseen Planets, Deadly Spheres.

One of the highlights of the 2017 Manchester International Festival was a series of intimate live performances by New Order, who reinvented their stage show by introducing an entirely new set list and a 12-piece synthesizer orchestra!

Ryan Hewitt’s career began in New York and saw him assisting Michael Brauer and Phil Ramone. However, it was in LA that he...

The sessions for Divide saw singer-songwriter Ed Sheeran exploring the possibilities of home recording for the first time, courtesy of engineer Joe Rubel.

With a gruelling schedule and strict technical requirements, including surround-sound elements, Steven Wilson’s recent Hand. Cannot. Erase. world tour was nothing if not ambitious.

When it comes to mixing drums, few things have studio newcomers tearing their hair out more often than compression. We clarify matters by identifying a series of distinct drum-mixing tasks for which engineers commonly use compressors.

Live opera can be a life-changing experience — and London’s premier opera house is using immersive sound to explore new ways of sharing it.

Turn your DAW’s aux sends into wet/dry blend controls that won’t raise the overall level of your signal.