Converters / Clocks

Most home studio owners now rely heavily on digital audio recording and processing, but you could be sacrificing the quality of your recordings if your system isn't clocked correctly.

Drawmer's affordable new combination of master clock and sample rate converters provides an ingenious solution for high-quality digital interfacing in the home studio.

Swissonic's high-quality preamp and A-D converter caters for 24-bit/96kHz digital audio in AES-EBU and ADAT formats.

If you're happy with the facilities of your Yamaha console or recorder, but you just want to upgrade the quality of the A-D/D-A conversion, these two cards from Apogee might be just what you're after.

Apogee have an enviable reputation for their state-of-the-art digital converters, but their new Trak 2 also includes sophisticated mic preamplification.

There is a vast array of digital converters on the market, but relatively few offer 96kHz capabilities, and fewer still provide built-in sample-rate conversion. Hugh Robjohns checks out the latest offering from Digital Audio Denmark.

The ADI96 Pro is a 96kHz-capable analogue-to-digital converter featuring both mic and line inputs, as well as a whole host of onboard DSP functions. We check it out...

Even the most die-hard analogue synth enthusiast must recognise the advantages to be gained by integrating their voltage-controlled gear into a MIDI environment.

Apogee have a long association with state-of-the-art digital converters. Hugh Robjohns investigates two of their latest 'affordable' models, the fully equipped PSX100 A-D and D-A converter and its simpler derivative, the Rosetta A-D.

High-performance digital converters are becoming more affordable every day, and this new offering from RME certainly proves that good and cheap are not necessarily mutually exclusive. Hugh Robjohns undergoes complete conversion...

Now that more computers are equipped with Universal Serial Buss connections, musicians have started to demand compatible peripherals. Martin Walker tries out one of the first to arrive, a simple interface dedicated to piping digital audio in and out of USB machines.

Designed to interface the Kurzweil K2000/K2500 synths directly with digital recording equipment, the DMTi also has a role as a general-purpose digital format convertor. Hugh Robjohns checks it out.

Midiman have a reputation for niche products at reasonable prices, and their latest, SAM, could do a number of useful jobs in the ADAT-based studio. Bob Dormon makes the connections.

You've got a digital desk and a high-resolution computer workstation, but how do you input 24-bit source material? Hugh Robjohns checks out MusicNet's answer.

Paul White plugs and plays with the latest products from MIDI widgeteers Philip Rees, a range of non-nonsense MIDI mergers.

The AD8000 is a high performance 8-channel, 24-bit A-D converter which can cope with an array of different digital audio formats, either in its basic form or with the addition of one of several optional cards.

MIDI guitar has a long and chequered history, litered with great expectations and expensive failures. Dave Lockwood investigates the latest contender to see if it really is able to bring something genuinely new to the field.

Many musicians now have digital audio in their studios, so Midiman have decided to help them interface cleanly to the outside world, with the bizarrely named Flying Cow. Martin Walker thinks it cud be a winner...

Digital devices need synchronisation just as much as analogue ones, and this new offering from Digidesign aims to be a one-box solution for most audio and visual sync requirements. Mike Collins says it's about time...

Three years since it was first announced, MOTU's Digital Timepiece is here at last. Bristling with features, it aims to become the one-stop solution for the digital project studio's AV sync needs. Mike Collins explains how to get clock-wise...

Got the jitters? Aardvark's external sync unit could be the answer. Mike Collins investigates.