Elektron maintain their reputation for producing unusual, innovative instruments with the bizarrely shaped Monomachine; it features six types of synthesis engine, a versatile sequencer, and effects. Is it refreshingly original, or a step too far?
MIDI controller keyboards were a minority interest a few years ago, but as more studio duties have been taken on by computers, the popularity of controllers has soared. Korg's Microkontrol adds some new tricks to the well-established concept...
The follow-up to Clavia's Nord Lead 3 is not the Nord Lead 4 (well, not yet), but a beefed-up version of the Nord Lead 2! We find out why, and how it improves on the original.
Back in 1986, Sequential's Prophet 2000 represented a genuine breakthrough in sampling technology, and became a 'secret weapon' for up-and-coming programmers. We take you back to the dawning days of SOS, when 12-bit was king.
Two and a half years after the launch of Yamaha's impressive Motif workstation synth, the range has been further enhanced and upgraded. How much better can it get? We find out...
Yamaha have taken a weighted keyboard from their latest digital pianos, added high-quality piano samples and Motif sounds, and thrown in a playback sequencer and arpeggiator, and master-keyboard facilities. Left to simmer, the S90 is the result...
This limited edition collectable synth comes complete with the advantages of new features in the latest Virus OS — and these features can also be added to previous Virus synths via a free update.
This impressive-looking instrument provides modelled classic organ, piano and supporting timbres, and is designed to appeal to keyboard players looking for an all-round stage tool — though it could easily form the centrepiece of a home setup too.
Despite the synth-spangled history of the company, it's been many years since a Roland product ruled the high-end keyboard roost, and 2001's Fantom workstation failed to change this. However, there's much more to the new Fantom S than one extra letter...
The Ion might be a latecomer to the world of analogue modelling, but this has afforded Alesis the opportunity of learning from all the virtual analogues already on the market. Free and radical, or negative particle? We find out...
What if an instrument could combine the realism of a sampler with the complete control over its sounds that only a true synth can offer? That's what the long-awaited Hartmann Neuron claims to do. We put it to the test...
Korg's CX3 digitally modelled combo organ went down a storm when we reviewed it some two years ago. Now it's time to find out if the dual-manual BX3 is twice as good.
Synthesized, sampled, or modelled, the Hammond B3 tonewheel organ has inspired many imitations over the years. Now, for 15 thousand pounds, you can own Hammond's attempt at recreating the original. How close have they come?
Alesis' QS6.2 and QS8.2 may induce a feeling of déjà vu — they look remarkably similar to 1995's QS6 and QS8. But eight years on, surely the spec has been significantly upgraded to reflect the passage of time?
The man behind the Mini has brought us the Voyager — an updated version of the original Minimoog for the 21st century. How does it compare to the original, how does it sound, and how does it play? Read this in-depth review and find out.
GEM have made all kinds of keyboards, from organs to home keyboards to synth workstations. Their latest incorporates physical-modelling technology, samples of famous instruments, effects, and plenty of real-time control options to form a 320-note polyphonic monster.
The V-Synth is a classic case of the whole being more than the sum of its parts. None of its impressive features are new — they've all been seen on previous Roland products — but nevertheless, it's the best new synth in years. We explain why...
Every pianist dreams of owning a grand piano, but is it really possible to combine the feel of a grand into a stage piano and combine it with great sounds and master-keyboard functionality?
The monotimbral K-Station offered keyboard players an affordable Novation -- but now, for a bit more money, the company have released the KS4 and KS5, which add plenty of new features, better keyboards and multitimbrality. The perfect marriage at the perfect price? We find out.
Korg's Electribe grooveboxes presented their analogue-modelling technology in an affordable, dance-friendly format and were a smash success. Now, using the MS2000 virtual analogue synth as a starting point, they're hoping for similar budget triumph with the fun-sized Microkorg...