Keyboards

There has been fierce competition over the past couple of years to create the ultimate portable MIDI controller for use with laptops. Edirol's PCR1 is one of the lightest and thinnest yet seen. Is it what we have all been waiting for?

Roland's original Fantom workstation wasn't really much competition for Korg's Triton, so it was no shock to see it revamped last year as the hugely improved Fantom S. But surprisingly, Roland have done it again. What's new this time around?

It's been an unreserved thumbs-up for Korg's bundle of software synths so far... but will the Legacy Polysix and Legacy Cell scale the same heights in the final instalment of our three-part definitive review?

In the second part of our coverage of Korg's new collection of software instruments, we turn our attention to the virtual MS20, and the MS20-shaped hardware controller. Just how well do these renditions compare to the original?

The Nord Modular offered a classic blend of flexible software and well-designed hardware in 1998. But can the improved G2 keep up with the soft synths of 2004?

Evolution's new class-compliant MIDI keyboards are a cinch to use with computer-based sequencers. But do they perform as well as their spec suggests?

Now that Korg's Legacy Collection is properly complete, we follow up last month's preview with the first instalment of our three-part in-depth review. This month, we focus on the Korg Wavestation plug-in...

Korg's Legacy Collection recreates some of their best-loved keyboards in software form. It wasn't finished as we went to press at the end of March, but we managed to grab this sneak preview as the final touches were being applied... (Full in-depth hands-on Review next month.)

Kurzweil's high-quality K-series workstations have always commanded a premium price tag in the UK, but it's been a while since the range's underlying technology has been updated. Is their latest offering still competitive in 2004?

Korg have redefined the workstation synth many times, and each time it has become harder to see how they could better their previous achievements. The Triton Extreme is a bold new colour, but does the rest of it measure up?

Elektron maintain their reputation for producing unusual, innovative instruments with the bizarrely shaped Monomachine; it features six types of synthesis engine, a versatile sequencer, and effects. Is it refreshingly original, or a step too far?

MIDI controller keyboards were a minority interest a few years ago, but as more studio duties have been taken on by computers, the popularity of controllers has soared. Korg's Microkontrol adds some new tricks to the well-established concept...

The follow-up to Clavia's Nord Lead 3 is not the Nord Lead 4 (well, not yet), but a beefed-up version of the Nord Lead 2! We find out why, and how it improves on the original.

Back in 1986, Sequential's Prophet 2000 represented a genuine breakthrough in sampling technology, and became a 'secret weapon' for up-and-coming programmers. We take you back to the dawning days of SOS, when 12-bit was king.

Two and a half years after the launch of Yamaha's impressive Motif workstation synth, the range has been further enhanced and upgraded. How much better can it get? We find out...

Yamaha have taken a weighted keyboard from their latest digital pianos, added high-quality piano samples and Motif sounds, and thrown in a playback sequencer and arpeggiator, and master-keyboard facilities. Left to simmer, the S90 is the result...

This limited edition collectable synth comes complete with the advantages of new features in the latest Virus OS — and these features can also be added to previous Virus synths via a free update.

This impressive-looking instrument provides modelled classic organ, piano and supporting timbres, and is designed to appeal to keyboard players looking for an all-round stage tool — though it could easily form the centrepiece of a home setup too.

Despite the synth-spangled history of the company, it's been many years since a Roland product ruled the high-end keyboard roost, and 2001's Fantom workstation failed to change this. However, there's much more to the new Fantom S than one extra letter...

The Ion might be a latecomer to the world of analogue modelling, but this has afforded Alesis the opportunity of learning from all the virtual analogues already on the market. Free and radical, or negative particle? We find out...

What if an instrument could combine the realism of a sampler with the complete control over its sounds that only a true synth can offer? That's what the long-awaited Hartmann Neuron claims to do. We put it to the test...