Keyboards

Unil the EII came along, Paul Wiffen had no time for sampling as a musical tool. But when he found all the filtering and enveloping he was used to from analogue synthesis, plus a sound fidelity which he hadn't heard before, he was a convert...

Roland's impressive range of 'next generation' instruments have seen the company share a number of new technologies across a wide range of products. The latest of these is the VA7, an arranger keyboard which incorporates their revolutionary Variphrase technology. Paul Farrer makes arrangements...

With full-sized velocity-sensitive keys and versatile control capabilities, Evolution's diminutive MK125 could find many uses as a MIDI remote keyboard. Martin Walker tries one out for size.

Derek Johnson collects £200 as he passes 'Go' on his tour of one of Korg's more obscure vintage boards.

The Roland Promars helped to usher in a new era of microprocessor-controlled analogue synthesizer, but has subsequently been all but forgotten. Gordon Reid remembers the world's only 'Compuphonic' monosynth.

Korg have been at the forefront of analogue modelling technology, but the new MS2000 is their first instrument to mimic the style as well as the sound of their analogue classics, right down to its incorporation of a virtual patching system. Derek Johnson powers it up.

Kurzweil's latest workstation is very much the product of evolution, rather than revolution. Paul Ward finds out whether it's keeping pace with the rest of the synth world...

Kurzweil have always enjoyed a reputation for manufacturing high-quality workstations — their latest, the K2600, is reviewed this month. But back in the late '80s, this reputation was founded only on their impossibly expensive K250. David Etheridge explains how the 1000-series put them on the map...

Until now, the only implementation of Waldorf's wavetable synthesis with a built-in keyboard was their pricey Wave megasynth. Now, however, they've repackaged their more affordable Microwave XT in an attractive keyboard unit.

In Part 1, author Gordon Reid told us how he found one of the world's rarest synthesizers in Australia, and of the trouble he went to to get it home. In Part 2, he explains what it is about the Yamaha GX1 that made it all worthwhile...

In these days of sampling, DSP and physical modelling, you might think that building your own electronic instruments would be a daunting prospect. According to Reed Ghazala, however, it's a piece of cake — you don't even need to know how they work. Sam Inglis finds out more.

The Virus modelled analogue synth has received a hardware upgrade to complement its ever‑evolving software feature set, and is now available in a keyboard version.

In Part 1 of a special two-part feature, Gordon Reid tells the amazing story of Yamaha's ultra-rare GX1 analogue megasynth — and how it ended up in his living room!

With their latest workstation, Yamaha have clearly taken the view that the difference between a 'dance' instrument and a general-purpose one is more to do with control facilities than sounds. Nick Magnus tries out the S80.

The CS6X has more features than any previous Yamaha Control Synth, with plenty of polyphony, real-time controllers, onboard effects, and basic sampling. You can even fit PLG expansion cards, giving you access not only to fresh sounds, but also other forms of synthesis.

Nick Magnus gets his hands on an instrument which is claimed to provide the best reproduction yet of the feel — and sound — of an acoustic piano.

Waldorf's flagship keyboard synth has been available for months — but until very recently, it was so unfinished that it was scarecely reviewable. Since April, Gordon Reid has stuck with it, painstakingly noting the improvements that have come with each system software upgrade, until finally, with the synth standing at OS version 1.13, enough features are working to justify a full SOS review.

Paul Wiffen made no secret of his fondness for the OSCar in September's issue, and now reminisces about the other great keyboard love of his life — the Elka Synthex, a synth whose reputation and influence far outweighs the number that were ever sold.

Some cheap monosynths from the '70s and '80s are now highly regarded and hugely expensive second-hand buys. Not so the Jen SX1000 which, says Gordon Reid, is an unjustly neglected nugget of synth history.

Want to get serious about your music? A quality master controller keyboard is a good place to start. Paul Ward looks at two machines that offer a little more than most.

Under hypnosis, Paul Wiffen regresses to an earlier life when he was involved in the development and marketing of what is now regarded as a British classic.