Heavyocity Media

Heavyocity take a creative wrecking ball to the orchestra.

Rating: ***** 5/5 Stars. This library/virtual instrument focuses very much on analogue synth‑based sound sources.

Rating: ***** 5/5 Stars. Scoring Acoustic Guitars is most likely to appeal to media composers or more experimental musicians. The quality of the sounds is most certainly big budget, but the price of access is not.

Heavyocity’s commando percussion team return to the sound stage tooled up and looking for something to break.

Rating: ***** 5/5 Stars. The 3GB of sample content is divided amongst nearly 50 different bass and sub‑bass sounds and these are complemented by a further 50+ drones, noise layers and ‘attack’ sounds.

Rating: **** 4/5 Stars. Heavyocity have combined traditional woodwind scoring with extensive sound-design capabilities, allowing you to go from 'standard' to 'sci-fi' within a few clicks.

Rating: ***** 5/5 Stars. Vocal-esque sounds dominate but this is not just another collection of 'ooh' and 'ahh' vocal pads...

Rating: ***** 5/5 Stars. It's perhaps not surprising that electronic keyboard sounds are a big part of the underlying sound set. However, these also include synths, ambient noises, attack sounds and various drones.

Rating: ***** 5/5 Stars. Covering electric rather than orchestral basses, as well as three playable electric bass guitars, this 6GB library includes a whole range of useful bass-rich content.

**** 4/5 stars. Synthetic Strings focuses not on string synthesizers per se, but on synthetic textures inspired by synthesizers and string machines.